Media

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See also Digital literacy, Organising, Being, Storage, Net/web media, Distros#Media, Distros#Audio/visual, Streaming, Sharing, etc.


  • https://en.wikipedia.org/wiki/Media_(communication) - the singular form of which is medium) is the collective communication outlets or tools that are used to store and deliver information or data. It is either associated with communication media, or the specialized communication businesses such as: print media and the press, photography, advertising, cinema, broadcasting (radio and television), and/or publishing.


  • https://en.wikipedia.org/wiki/Content_(media) - the information contained within communication media, including the internet, cinema, television, radio, audio CDs, books, magazines, physical art, and live events. It is directed at an end-user or audience in the sectors of publishing, art, and communication. The advent of the Information Age has advanced content as a mass-produced commodity for distribution through social media, which has led to the professionalization of content creation. Any content developed or disseminated by an individual or on one's behalf, including but not limited to content distributed via books, magazines, brochures, newsletters, newspapers, social media, billboards, websites, mobile applications, movies, television, and radio, is referenced to as media content.


  • https://en.wikipedia.org/wiki/Microcontent - There are at least two interpretations of the term microcontent. Usability adviser Jakob Nielsen originally referred to microcontent as small groups of words that can be skimmed by a person to get a clear idea of the content of a Web page. He included article headlines, page titles, subject lines and e-mail headings. Such phrases also may be taken out of context and displayed on a directory, search result page, bookmark list, etc. The second use of the term extends it to other small information chunks that can stand alone or be used in a variety of contexts, including instant messages, blog posts, RSS feeds, and abstracts.


  • https://en.wikipedia.org/wiki/Media_ecology - the study of media, technology, and communication and how they affect human environments. The theoretical concepts were proposed by Marshall McLuhan in 1964, while the term media ecology was first formally introduced by Neil Postman in 1968. Ecology in this context refers to the environment in which the medium is used – what they are and how they affect society. Neil Postman states, "if in biology a 'medium' is something in which a bacterial culture grows (as in a Petri dish), in media ecology, the medium is 'a technology within which a [human] culture grows.'" In other words, "Media ecology looks into the matter of how media of communication affect human perception, understanding, feeling, and value; and how our interaction with media facilitates or impedes our chances of survival. The word ecology implies the study of environments: their structure, content, and impact on people. An environment is, after all, a complex message system which imposes on human beings certain ways of thinking, feeling, and behaving." Media ecology argues that media act as extensions of the human senses in each era, and communication technology is the primary cause of social change. McLuhan is famous for coining the phrase, "the medium is the message", which is an often-debated phrase believed to mean that the medium chosen to relay a message is just as important (if not more so) than the message itself. McLuhan proposed that media influence the progression of society, and that significant periods of time and growth can be categorized by the rise of a specific technology during that period.


  • https://en.wikipedia.org/wiki/Information_and_media_literacy - enables people to show and make informed judgments as users of information and media, as well as to become skillful creators and producers of information and media messages in their own right. Renee Hobbs suggests that “few people verify the information they find online ― both adults and children tend to uncritically trust information they find, from whatever source.” People need to gauge the credibility of information and can do so by answering three questions: Who is the author? What is the purpose of this message? How was this message constructed?


  • https://en.wikipedia.org/wiki/Machine-readable_medium_and_data#Data - or computer-readable medium, is a medium capable of storing data in a format easily readable by a digital computer or a sensor. It contrasts with human-readable medium and data. The result is called machine-readable data or computer-readable data, and the data itself can be described as having machine-readability.



  • Digital Enquirer Kit - The Digital Enquirer Kit is an e-learning course about media literacy, verification, and how to navigate the internet safely. The first four modules of the Digital Enquirer Kit were authored by Tactical Tech in 2021: Module 1: Identifying and Responding to Misinformation; Module 2: Verifying Online Information; Module 3: Collaborating on and Documenting Your Digital Enquiry; Module 4: Examining and Sharing Your Findings



  • https://en.wikipedia.org/wiki/Multimodality - the application of multiple literacies within one medium. Multiple literacies or "modes" contribute to an audience's understanding of a composition. Everything from the placement of images to the organization of the content to the method of delivery creates meaning. This is the result of a shift from isolated text being relied on as the primary source of communication, to the image being utilized more frequently in the digital age. Multimodality describes communication practices in terms of the textual, aural, linguistic, spatial, and visual resources used to compose messages. While all communication, literacy, and composing practices are and always have been multimodal, academic and scientific attention to the phenomenon only started gaining momentum in the 1960s. Work by Roland Barthes and others has led to a broad range of disciplinarily distinct approaches. More recently, rhetoric and composition instructors have included multimodality in their coursework.



  • https://en.wikipedia.org/wiki/Transliteracy - is "a fluidity of movement across a range of technologies, media and contexts" (Sukovic, 2016). It is an ability to use diverse techniques to collaborate across different social groups. Transliteracy combines a range of capabilities required to move across a range of contexts, media, technologies and genres. Conceptually, transliteracy is situated across five capabilities: information capabilities (see information literacy), ICT (information and communication technologies), communication and collaboration, creativity and critical thinking. It is underpinned by literacy and numeracy. (See figure below) The concept of transliteracy is impacting the system of education and libraries. Related terms are "media and information literacy", "information literacy", "digital literacy", "multiliteracies" and "metaliteracy". Transliteracy is a unifying framework rather than a replacement of existing literacies. It considers "movement across" which requires a range of capabilities.


  • https://en.wikipedia.org/wiki/Transmediation - the process of translating a work into a different medium. The definition of what constitutes transmediation would depend on how medium is defined or interpreted. In Understanding media, Marshall McLuhan offered a quite broad definition of a medium as "an extension of ourselves": "In a culture like ours, long accustomed to splitting and dividing all things as a means of control, it is sometimes a bit of a shock to be reminded that, in operational and practical fact, the medium is the message. This is merely to say that the personal and social consequences of any medium — that is, of any extension of ourselves — result from the new scale that is introduced into our affairs by each extension of ourselves, or by any new technology." From McLuhan's definition, it is possible to infer the definition of transmediation could involve at least two different dimensions: a sensory and semiotic translation. When referring to medium as a sensory mode, transmediation would require to move between sensory modes (e.g., visual to aural, aural to tactile). When referring to transmediation as semiotic translation, transmediation can refer to the process of "responding to cultural texts in a range of sign systems — art, movement, sculpture, dance, music, and so on — as well as in words."

Transmediation may utilize more than one media form. All the components of a transmediated work are interlinked with each other to form the whole network. Therefore, transmediated works are closely linked to semiotics and technology in the context of digital media. Transmediation can include response to traditional printed texts, as well as multimedia materials including video, animation, a website, a podcast, a game, etc. Transmediation is closely linked to semiotics, which is the impact study of signs. Academic researchers and educators interested in transmediation are often also interested in media literacy, visual literacy, information literacy, and critical literacy.



  • https://en.wikipedia.org/wiki/Transtextuality - defined as the "textual transcendence of the text". According to Gérard Genette transtextuality is "all that sets the text in relationship, whether obvious or concealed, with other texts" and it "covers all aspects of a particular text". Genette described transtextuality as a "more inclusive term" than intertextuality.




  • Material of language - older
  • Computational Letterforms and Layout - Language is more than just words and meanings. Language is material: it’s paper and ink, pixels and screens, fingertips on keyboards. In this course, students will gain an understanding of how language’s material manifestations are represented digitally, and learn computational techniques in order to create new work and new systems that challenge conventions in type design and page layout. Topics include asemic writing, concrete poetry, markup languages, character encodings, generative typography, and printing technologies (including pen plotters). Readings and lectures in the class draw from the fields of computation, critical theory, literary studies, art history, mathematics and graphic design. A series of production-oriented assignments lead up to a final project. In addition to critique, sessions will feature class discussions and technical tutorials.


  • https://en.wikipedia.org/wiki/Organizational_communication - a field of study surrounding all areas of communication and information flow that contribute to the functioning of an organization . Organizational communication is constantly evolving and as a result, the scope of organizations included in this field of research have also shifted over time. Now both traditionally profitable companies, as well as NGO's and non-profit organizations, are points of interest for scholars focused on the field of organizational communication. Organizations are formed and sustained through continuous communication between members of the organization and both internal and external sub-groups who possess shared objectives for the organization. The flow of communication encompasses internal and external stakeholders and can be formal or informal.

Herbert A. Simon introduced the concept of bounded rationality which challenged assumptions about the perfect rationality of communication participants. He maintained that people making decisions in organizations seldom had complete information, and that even if more information was available, they tended to pick the first acceptable option, rather than exploring further to pick the optimal solution. In the early 1990s Peter Senge developed new theories on organizational communication. These theories were learning organization and systems thinking. These have been well received and are now a mainstay in current beliefs toward organizational communications.

Robert Craig suggested that there were seven components of communication theory ,seven different ways of thinking about how communication works in the world. The seven different domains are rhetorical, semiotic, phenomenological, cybernetic, sociopsychological, sociocultural and critical. The rhetorical approach can be theorized as the practical art of discourse and the semiotic approach theorized as intersubjective mediation by signs. The phenomenological approach can be theorized as experiences of otherness; dialogue, and the cybernetic approach as information processing. The socialpsychological approach can be theorized as expression, interaction and influence. The sociocultural approach is theorized as (Re)production of social order and the critical approach theorized as discursive reflection.





  • https://en.wikipedia.org/wiki/Text_and_conversation_theory - a theory in the field of organizational communication illustrating how communication makes up an organization. In the theory's simplest explanation, an organization is created and defined by communication. Communication "is" the organization and the organization exists because communication takes place. The theory is built on the notion, an organization is not seen as a physical unit holding communication. Text and conversation theory puts communication processes at the heart of organizational communication and postulates, an organization doesn't contain communication as a "causal influence", but is formed by the communication within. This theory is not intended for direct application, but rather to explain how communication exists. The theory provides a framework for better understanding organizational communication.

Since the foundation of organizations are in communication, an organization cannot exist without communication, and the organization is defined as the result of communications happening within its context. Communications begin with individuals within the organization discussing beliefs, goals, structures, plans and relationships. These communicators achieve this through constant development, delivery, and translation of "text and conversation". The theory proposes mechanisms of communications are "text and conversation".




  • https://en.wikipedia.org/wiki/Media_literacy - an expanded conceptualization of literacy that includes the ability to access and analyze media messages as well as create, reflect and take action, using the power of information and communication to make a difference in the world. Media literacy is not restricted to one medium and is understood as a set of competencies that are essential for work, life, and citizenship. Media literacy education is the process used to advance media literacy competencies, and it is intended to promote awareness of media influence and create an active stance towards both consuming and creating media.


  • https://en.wikipedia.org/wiki/Visual_literacy - is the ability to interpret, negotiate, and make meaning from information presented in the form of an image, extending the meaning of literacy, which commonly signifies interpretation of a written or printed text. Visual literacy is based on the idea that pictures can be "read" and that meaning can be discovered through a process of reading.

Although there are previous well documented uses of the term "visual literacy" between the late 30s and early 60s, the term it is usually credited to John Debes, co-founder of the International Visual Literacy Association. In 1969 Debes offered a tentative definition of the concept: "Visual literacy refers to a group of vision-competencies a human being can develop by seeing and at the same time having and integrating other sensory experiences."[9] A white paper drawn up in January 2004, defines visual literacy as "understanding how people perceive objects, interpret what they see, and what they learn from them".[10] However, because multiple disciplines such as visual literacy in education, art history and criticism, rhetoric, semiotics, philosophy, information design, and graphic design make use of the term visual literacy, arriving at a common definition of visual literacy has been contested since its first appearance in professional publications.

Since technological advances continue to develop at an unprecedented rate, educators are increasingly promoting the learning of visual literacies as indispensable to life in the information age. Similar to linguistic literacy (meaning-making derived from written or oral human language) commonly taught in schools, most educators would agree that literacy in the 21st Century has a wider scope. Educators are recognizing the importance of helping students develop visual literacies in order to survive and communicate in a highly complex world.



  • https://en.wikipedia.org/wiki/Ways_of_Seeing - a 1972 BBC four-part television series of 30-minute films created chiefly by writer John Berger and producer Mike Dibb. Berger's scripts were adapted into a book of the same name. The series and book criticize traditional Western cultural aesthetics by raising questions about hidden ideologies in visual images. The series is partially a response to Kenneth Clark's Civilisation series, which represents a more traditionalist view of the Western artistic and cultural canon.



  • https://en.wikipedia.org/wiki/Visual_culture - the aspect of culture expressed in visual images. Many academic fields study this subject, including cultural studies, art history, critical theory, philosophy, media studies, Deaf Studies, and anthropology. The field of visual culture studies in the United States corresponds or parallels the Bildwissenschaft ("image studies") in Germany. Both fields are not entirely new, as they can be considered reformulations of issues of photography and film theory that had been raised from the 1920s and 1930s by authors like Béla Balázs, László Moholy-Nagy, Siegfried Kracauer and Walter Benjamin.


  • https://en.wikipedia.org/wiki/Visual_communication - the use of visual elements to convey ideas and information which include (but are not limited to) signs, typography, drawing, graphic design, illustration, industrial design, advertising, animation, and electronic resources. Humans have used visual communication since prehistoric times. Within modern culture, there are several types of characteristics when it comes to visual elements, they consist of objects, models, graphs, diagrams, maps, and photographs. Outside the different types of characteristics and elements, there are seven components of visual communication: color, shape, tones, texture, figure-ground, balance, and hierarchy.


  • https://en.wikipedia.org/wiki/Visual_rhetoric - the art of effective communication through visual elements such as images, typography, and texts. Visual rhetoric encompasses the skill of visual literacy and the ability to analyze images for their form and meaning. Drawing on techniques from semiotics and rhetorical analysis, visual rhetoric expands on visual literacy as it examines the structure of an image with the focus on its persuasive effects on an audience. ... Visual rhetoric has been approached and applied in a variety of academic fields including art history, linguistics, semiotics, cultural studies, business and technical communication, speech communication, and classical rhetoric. Visual rhetoric seeks to develop rhetorical theory in a way that is more comprehensive and inclusive with regard to images and their interpretations.


  • https://en.wikipedia.org/wiki/Visual_rhetoric_and_composition - The study and practice of visual rhetoric took a more prominent role in the field of composition studies towards the end of the twentieth century and onward. Proponents of its inclusion in composition typically point to the increasingly visual nature of society, and the increasing presence of visual texts. Literacy, they argue, can no longer be limited only to written text and must also include an understanding of the visual. Despite this focus on new media, the inclusion of visual rhetoric in composition studies is distinct from a media theory of composition, though the two are obviously related. Visual rhetoric focuses on the rhetorical nature of all visual texts while new media tends to focus on electronic mediums.



  • https://en.wikipedia.org/wiki/Digital_rhetoric - can be generally defined as communication that exists in the digital sphere. As such, digital rhetoric can be expressed in many different forms, including text, images, videos, and software. Due to the increasingly mediated nature of our contemporary society, there are no longer clear distinctions between digital and non-digital environments. This has expanded the scope of digital rhetoric to account for the increased fluidity with which humans interact with technology. The field of digital rhetoric has not yet become well-established. Digital rhetoric largely draws its theory and practices from the tradition of rhetoric as both an analytical tool and a production guide. As a whole, it can be structured as a type of meta-discipline. Due to evolving study, digital rhetoric has held various meanings to different scholars over time. Similarly, digital rhetoric can take on a variety of meanings based on what is being analyzed—which depends on the concept, forms or objects of study, or rhetorical approach. Digital rhetoric can also be analyzed through the lenses of different social movements. This approach allows the reach of digital rhetoric to expand our understanding of its influence. The term “digital rhetoric” differentiates from the term “rhetoric” because the latter term has been one to be debated amongst many scholars. Only a few scholars like Elizabeth Losh and Ian Bogost have taken the time to really come up with a definition for digital rhetoric. One of the most straightforward definitions for “digital rhetoric” is that it is the application of rhetorical theory (Eyman, 13).



  • https://en.wikipedia.org/wiki/Content_creation - the contribution of information to any media and most especially to digital media for an end-user/audience in specific contexts. Content is "something that is to be expressed through some medium, as speech, writing or any of various arts" for self-expression, distribution, marketing and/or publication. Typical forms of content creation include maintaining and updating web sites, blogging, photography, videography, online commentary, the maintenance of social media accounts, and editing and distribution of digital media. A Pew survey described content creation as the creation of "the material people contribute to the online world."


  • https://en.wikipedia.org/wiki/Publishing - the process of production and dissemination of literature, music, or information — the activity of making information available to the general public. In some cases, authors may be their own publishers, meaning originators and developers of content also provide media to deliver and display the content for the same. Also, the word publisher can refer to the individual who leads a publishing company or an imprint or to a person who owns/heads a magazine.


  • https://en.wikipedia.org/wiki/Self-publishing - the publication of any book or other media by its author without the involvement of an established publisher. A self-published physical book is said to have been privately printed. Self-publishing is not limited to physical books. E-books, pamphlets, sales brochures, websites, and other media are commonly self-published.



  • https://en.wikipedia.org/wiki/Periodical_literature - also called a periodical publication or simply a periodical) is a published work that appears in a new edition on a regular schedule. The most familiar example is a newspaper, but a magazine or a journal are also examples of periodicals. These publications cover a wide variety of topics, from academic, technical, trade, and general interest to leisure and entertainment. Articles within a periodical are usually organized around a single main subject or theme and include a title, date of publication, author(s), and brief summary of the article. A periodical typically contains an editorial section that comments on subjects of interest to its readers. Other common features are reviews of recently published books and films, columns that express the author's opinions about various topics, and advertisements. A periodical is a serial publication. A book series is also a serial publication, but is not typically called a periodical. An encyclopedia or dictionary is also a book, and might be called a serial publication if it is published in many different editions over time.



  • https://en.wikipedia.org/wiki/Ambient_media - are out-of-home products and services determined by some as non-traditional or alternative media. Examples are messages on the backs of car park receipts, on hanging straps in railway carriages, posters inside sports club locker rooms and on the handles of supermarket trolleys. It also includes such techniques as projecting huge images on the sides of buildings, or slogans on the gas bags of hot air balloons. Ambient media in a larger scale define the media environment and the communication of information in ubiquitous and pervasive environments. The concept of ambient media relates to ambient media form, ambient media content, and ambient media technology. These new technologies are based on ambient intelligent technology and create new possibilities in ambient advertising. Its principles are manifestation, morphing, intelligence, and experience and have been defined by Artur Lugmayr and its business models are described in Multimedia Tools and Applications.



  • https://en.wikipedia.org/wiki/Digital_edition - an online magazine or online newspaper delivered in electronic form which is formatted identically to the print version. Digital editions are often called digital facsimiles to underline the likeness to the print version. Digital editions have the benefit of reduced cost to the publisher and reader by avoiding the time and the expense to print and deliver paper edition. This format is considered more environmentally friendly due to the reduction of paper and energy use. These editions also often feature interactive elements such as hyperlinks both within the publication itself and to other internet resources, search option and bookmarking, and can also incorporate multimedia such as video or animation to enhance articles themselves or for advertisement purposes.



  • https://en.wikipedia.org/wiki/Media_activism - a broad category of activism that utilizes media and communication technologies for social and political movements. Methods of media activism include publishing news on websites, creating video and audio investigations, spreading information about protests, or organizing campaigns relating to media and communications policies.

Media activism is used for many different purposes. It is often a tool for grassroots activists and anarchists to spread information not available via mainstream media or to share censored news stories. Certain forms of politically motivated hacking and net-based campaigns are also considered media activism. Typically, the purpose of media activism is to spread awareness through media communications which sometimes leads to action.


  • https://en.wikipedia.org/wiki/Alternative_media - media sources that differ from established or dominant types of media (such as mainstream media or mass media) in terms of their content, production, or distribution. Sometimes the term independent media is used as a synonym, indicating independence from large media corporations, but this term is also used to indicate media enjoying freedom of the press and independence from government control. Alternative media does not refer to a specific format and may be inclusive of print, audio, film/video, online/digital and street art, among others. Some examples include the counter-culture zines of the 1960s, ethnic and indigenous media such as the First People's television network in Canada (later rebranded Aboriginal Peoples Television Network), and more recently online open publishing journalism sites such as Indymedia.


  • https://en.wikipedia.org/wiki/Tactical_media - a term coined in 1996, to denote a form of media activism that privileges temporary interventions in the media sphere over the creation of permanent and alternative media outlets.


  • https://en.wikipedia.org/wiki/Radical_media - communication outlets that disperse action-oriented political agendas utilizing existing communication infrastructures and its supportive users. These types of media are differentiated from conventional mass communications through its progressive content, reformist culture, and democratic process of production and distribution. Advocates support its alternative and oppositional view of mass media, arguing that conventional outlets are politically biased through their production and distribution. However, there are some critics that exist in terms of validating the authenticity of the content, its political ideology, long-term perishability, and the social actions led by the media.

The term "radical media" was introduced by John D. H. Downing in his 1984 study of rebellious communication and social movements emphasizing alternative media's political and goal-oriented activism. Radical media manifests new social movements' individualistic, and humanistic socio-political model of disintermediation. While the coverage of this term coincides with other branches of alternative media, namely tactical and activist media, it differs from conventional mass media in terms of its ideological and behavioural practices, making radical media significant in terms of its amplification of social movements. Downing describes Radical Media as being "generally small-scale and in many different forms, that express an alternative vision to hegemonic policies, and perspectives." Hence, the term categorizes various forms of alternative media that are progressive, reformist and post-materialistic. Some media that are categorized by radical media include, but are not restricted to, community media, student media, tactical media, subcultural media, social movement media, citizen media, and alternative journalism. Groups that fall under radical media emphasize egalitarian channels characterized by inclusive, action-driven, prefigurative, and marginal practices that challenge conventional media.

One way of investigating radical alternative media is through ‘active citizenship.’ Downing argues that its collective ownership, goals, and participation empower the media's political stance. While mass media lessens wider participation due to costly production, radical media provides a more democratic means of two-way communication. Rodriguez’ phrase—“citizens’ media” further explains the development of empowered citizens through self-motivated participation. In her model, like Indymedia, collective participation through the reconstruction of media-ecology empowers “citizenship” and the community. In this discourse, political cognition occurs naturally through self-education.

This non-hierarchical and self-reliant development of political consciousness exemplifies its anarchistic values, which in turn frees collective creation and “rebellious expression” leading to a more democratic means of communication when compared with mass media. Like Downing, most who focus on its participatory discourse link disintermediation to “direct democracy." Radical self-reliant meaning-making will transform the representational politics’ distance from conventional powers.





"The core of McLuhan’s theory, and the key idea to start with in explaining him, is his definition of media as extensions of ourselves. McLuhan writes: “It is the persistent theme of this book that all technologies are extensions of our physical and nervous systems to increase power and speed” (90) and, “Any extension, whether of skin, hand, or foot, affects the whole psychic and social complex. Some of the principle extensions, together with some of their psychic and social consequences, are studied in this book” (4). From the premise that media, or technologies (McLuhan’s approach makes “media” and “technology” more or less synonymous terms), are extensions of some physical, social, psychological, or intellectual function of humans, flows all of McLuhan’s subsequent ideas. Thus, the wheel extends our feet, the phone extends our voice, television extends our eyes and ears, the computer extends our brain, and electronic media, in general, extend our central nervous system.

"In McLuhan’s theory language too is a medium or technology (although one that does not require any physical object outside of ourselves) because it is an extension, or outering, of our inner thoughts, ideas, and feelings—that is, an extension of inner consciousness. McLuhan sees the enormous implications of the development of language for humans when he writes: “It is the extension of man in speech that enables the intellect to detach itself from the vastly wider reality. Without language . . . human intelligence would have remained totally involved in the objects of its attention” (79). Thus, spoken language is the key development in the evolution of human consciousness and culture and the medium from which subsequent technological extensions have evolved.

"But recent extensions via electronic technology elevate the process of technological extension to a new level of significance: “Whereas all previous technology (save speech, itself) had, in effect, extended some part of our bodies, electricity may be said to have outered the central nervous system itself, including the brain” (247). Thus, pre-electric extensions are explosions of physical scale outward, while electronic technology is an inward implosion toward shared consciousness, a change that has significant implications. McLuhan states: “Our new electric technology that extends our senses and nerves in a global embrace has large implications for the future of language



  • https://en.wikipedia.org/wiki/Organizational_communication - a theory developed from the works of Jürgen Habermas, a german philosopher. The communicative rationality approach has been developed to explain why successful communication needs the use of human rationality to be effective. The theory derives from the philosophical study of universal pragmatics, which looks to understand what circumstances are needed for reaching understanding in communications.


  • TV Tropes - THE ALL-DEVOURING POP-CULTURE WIKI. Merriam-Webster defines trope as a "figure of speech." For creative writer types, tropes are more about conveying a concept to the audience without needing to spell out all the details. The wiki is called "TV Tropes" because TV is where we started. Over the course of a few years, our scope has crept out to include other media. Tropes transcend television. They reflect life. Since a lot of art, especially the popular arts, does its best to reflect life, tropes are likely to show up everywhere. [1]




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  • https://en.wikipedia.org/wiki/Codex - the historical ancestor of the modern book. Instead of being composed of sheets of paper, it used sheets of vellum, papyrus, or other materials. The term codex is often used for ancient manuscript books, with handwritten contents. A codex, much like the modern book, is bound by stacking the pages and securing one set of edges by a variety of methods over the centuries, yet in a form analogous to modern bookbinding. Modern books are divided into paperback (or softback, and those bound with stiff boards, called hardbacks. Elaborate historical bindings are called treasure bindings. At least in the Western world, the main alternative to the paged codex format for a long document was the continuous scroll, which was the dominant form of document in the ancient world. Some codices are continuously folded like a concertina, in particular the Maya codices and Aztec codices, which are actually long sheets of paper or animal skin folded into pages. The Ancient Romans developed the form from wax tablets. The gradual replacement of the scroll by the codex has been called the most important advance in book making before the invention of the printing press. The codex transformed the shape of the book itself, and offered a form that has lasted ever since. The spread of the codex is often associated with the rise of Christianity, which early on adopted the format for the Bible. First described in the 1st century of the Common Era, when the Roman poet Martial praised its convenient use, the codex achieved numerical parity with the scroll around 300 CE, and had completely replaced it throughout what was by then a Christianized Greco-Roman world by the 6th century.


  • https://en.wikipedia.org/wiki/Manuscript - abbreviated MS for singular and MSS for plural, was, traditionally, any document written by hand or typewritten, as opposed to mechanically printed or reproduced in some indirect or automated way. More recently, the term has come to be understood to further include any written, typed, or word-processed copy of an author's work, as distinguished from the rendition as a printed version of the same. Before the arrival of prints, all documents and books were manuscripts. Manuscripts are not defined by their contents, which may combine writing with mathematical calculations, maps, music notation, explanatory figures, or illustrations.


  • https://en.wikipedia.org/wiki/Manuscript_culture - a culture that depends on hand-written manuscripts to store and disseminate information. It is a stage that most developed cultures went through in between oral culture and print culture. Europe entered the stage in classical antiquity. In early medieval manuscript culture, monks copied manuscripts by hand. They copied not just religious works, but a variety of texts including some on astronomy, herbals, and bestiaries. Medieval manuscript culture deals with the transition of the manuscript from the monasteries to the market in the cities, and the rise of universities. Manuscript culture in the cities created jobs built around the making and trade of manuscripts, and typically was regulated by universities. Late manuscript culture was characterized by a desire for uniformity, well-ordered and convenient access to the text contained in the manuscript, and ease of reading aloud. This culture grew out of the Fourth Lateran Council (1215, and the rise of the Devotio Moderna. It included a change in materials (switching from vellum to paper), and was subject to remediation by the printed book, while also influencing it.




  • https://en.wikipedia.org/wiki/Bamboo_and_wooden_slips - were the main media for writing documents in China before the widespread introduction of paper during the first two centuries AD. (Silk was occasionally used, for example in the Chu Silk Manuscript, but was prohibitively expensive for most documents.)


  • https://en.wikipedia.org/wiki/Palm-leaf_manuscript - are manuscripts made out of dried palm leaves. Palm leaves were used as writing materials in the Indian subcontinent and in Southeast Asia reportedly dating back to the 5th century BCE. Their use began in South Asia and spread to other regions, as texts on dried and smoke-treated palm leaves of Palmyra palm or the talipot palm.

Their use continued until the 19th century when printing presses replaced hand-written manuscripts.


  • https://en.wikipedia.org/wiki/Birch_bark_manuscript - are documents written on pieces of the inner layer of birch bark, which was commonly used for writing before the advent of mass production of paper. Evidence of birch bark for writing goes back many centuries and in various cultures. The oldest such manuscripts are the numerous Gandhāran Buddhist texts from approximately the 1st century CE, from what is now Afghanistan. They contain among the earliest known versions of significant Buddhist scriptures, including a Dhammapada, discourses of Buddha that include the Rhinoceros Sutra, Avadanas and Abhidharma texts.


  • https://en.wikipedia.org/wiki/Folding-book_manuscript - a type of writing material historically used in Mainland Southeast Asia, particularly in the areas of present-day Myanmar, Thailand, Laos and Cambodia. They are known as parabaik in Burmese, samut thai in Thai or samut khoi in Thai and Lao, phap sa in Northern Thai and Lao, and kraing in Khmer. The manuscripts are made of a thick paper, usually of the Siamese rough bush (khoi in Thai and Lao) tree or paper mulberry, glued into a very long sheet and folded in a concertina fashion, with the front and back lacquered to form protective covers or attached to decorative wood covers. The unbound books are made in either white or black varieties, with the paper being undyed in the former and blackened with soot or lacquer in the latter. Along with paper made from bamboo and palm leaves, parabaik (ပုရပိုက်) were the main medium for writing and drawing in early modern Burma/Myanmar.[



  • https://en.wikipedia.org/wiki/Parchment - a writing material made from specially prepared untanned skins of animals—primarily sheep, calves, and goats. It has been used as a writing medium for over two millennia. Vellum is a finer quality parchment made from the skins of young animals such as lambs and young calves. It may be called animal membrane by libraries and museums that wish to avoid distinguishing between parchment and the more-restricted term vellum (see below).


  • https://en.wikipedia.org/wiki/Vellum - is prepared animal skin or membrane, typically used as writing material. It is distinguished from parchment when it is made from calfskin, rather than that made from other animals, or having a higher quality when it is not. Vellum is prepared for writing and printing on and used for single pages, scrolls, codices, or books. Modern scholars and experts use the general and potentially-confusing term "membrane" more often.: 9–10 It may be very hard to determine the animal species involved (let alone its age) without going to a laboratory depending on the way of making the paper. Thus the term avoids the distinction between vellum and parchment.


Paper

See also *nix#Printing


  • https://en.wikipedia.org/wiki/History_of_paper - a thin nonwoven material traditionally made from a combination of milled plant and textile fibres. The first paper-like plant-based writing sheet was papyrus in Egypt, but the first true papermaking process was documented in China during the Eastern Han period ,25–220 AD), traditionally attributed to the court official Cai Lun. This plant-puree conglomerate produced by pulp mills and paper mills was used for writing, drawing, and money. During the 8th century, Chinese paper making spread to the Islamic world, replacing papyrus. By the 11th century, papermaking was brought to Europe, where it replaced animal-skin-based parchment and wood panels. By the 13th century, papermaking was refined with paper mills using waterwheels in Spain. Later improvements to the papermaking process came in 19th century Europe with the invention of wood-based papers. Although there were precursors such as papyrus in the Mediterranean world and amate in the pre-Columbian Americas, these are not considered true paper. Nor is true parchment considered paper: used principally for writing, parchment is heavily prepared animal skin that predates paper and possibly papyrus. In the 20th century with the advent of plastic manufacture, some plastic "paper" was introduced, as well as paper-plastic laminates, paper-metal laminates, and papers infused or coated with different substances to produce special properties.




  • https://en.wikipedia.org/wiki/Paper_data_storage - refers to the use of paper as a data storage device. This includes writing, illustrating, and the use of data that can be interpreted by a machine or is the result of the functioning of a machine. A defining feature of paper data storage is the ability of humans to produce it with only simple tools and interpret it visually. Computer memory and data storage types General Volatile RAM Historical Non-volatile ROM NVRAM Early-stage NVRAM Analog recording Optical In development Historical vte Though now mostly obsolete, paper was once an important form of computer data storage as both paper tape and punch cards were a common staple of working with computers before the 1980s.






  • https://en.wikipedia.org/wiki/Paperboard - a thick paper-based material. While there is no rigid differentiation between paper and paperboard, paperboard is generally thicker (usually over 0.30 mm, 0.012 in, or 12 points, than paper and has certain superior attributes such as foldability and rigidity. According to ISO standards, paperboard is a paper with a grammage above 250 g/m2, but there are exceptions. Paperboard can be single- or multi-ply.

Paperboard can be easily cut and formed, is lightweight, and because it is strong, is used in packaging. Another end-use is high quality graphic printing, such as book and magazine covers or postcards. Paperboard is also used in fine arts for creating sculptures. Sometimes it is referred to as cardboard, which is a generic, lay term used to refer to any heavy paper pulp–based board, however this usage is deprecated in the paper, printing, and packaging industries as it does not adequately describe each product type.


  • https://en.wikipedia.org/wiki/Cardboard - a generic term for heavy paper-based products. The construction can range from a thick paper known as paperboard to corrugated fiberboard which is made of multiple plies of material. Natural cardboards can range from grey to light brown in color, depending on the specific product; dyes, pigments, printing, and coatings are available. The term "cardboard" has general use in English and French, but the term cardboard is deprecated in commerce and industry as not adequately defining a specific product. Material producers, container manufacturers, packaging engineers, and standards organizations, use more specific terminology.


  • https://en.wikipedia.org/wiki/Card_stock - also called cover stock and cardboard , is paper that is thicker and more durable than normal writing and printing paper, but thinner and more flexible than other forms of paperboard. Card stock is often used for business cards, postcards, playing cards, catalogue covers, scrapbooking, and other applications requiring more durability than regular paper gives. The surface usually is smooth; it may be textured, metallic, or glossy

Incunable

  • https://en.wikipedia.org/wiki/Incunable - or incunabulum (plural incunables or incunabula, respectively), is a book, pamphlet, or broadside that was printed in the earliest stages of printing in Europe, up to the year 1500. Incunabula were produced before the printing press became widespread on the continent and are distinct from manuscripts, which are documents written by hand. Some authorities include block books from the same time period as incunabula, whereas others limit the term to works printed using movable type. As of 2021, there are about 30,000 distinct incunable editions known. The probable number of surviving individual copies is much higher, estimated at around 125,000 in Germany alone. Through statistical analysis, it is estimated that the number of lost editions is at least 20,000. Around 550,000 copies of around 27,500 different works have been preserved worldwide.



Pamphlets

  • https://en.wikipedia.org/wiki/Pamphlet - an unbound book (that is, without a hard cover or binding,. Pamphlets may consist of a single sheet of paper that is printed on both sides and folded in half, in thirds, or in fourths, called a leaflet or it may consist of a few pages that are folded in half and saddle stapled at the crease to make a simple book.



  • https://en.wikipedia.org/wiki/Pamphlet_wars - refer to any protracted argument or discussion through printed medium, especially between the time the printing press became common, and when state intervention like copyright laws made such public discourse more difficult. The purpose was to defend or attack a certain perspective or idea. Pamphlet wars have occurred multiple times throughout history, as both social and political platforms. Pamphlet wars became viable platforms for this protracted discussion with the advent and spread of the printing press. Cheap printing presses, and increased literacy made the late 17th century a key stepping stone for the development of pamphlet wars, a period of prolific use of this type of debate. Over 2200 pamphlets were published between 1600–1715 alone. Pamphlet wars are generally credited for powering many key social changes of the era, including the Reformation and the Revolution Controversy, the English philosophical debate set off by the French Revolution.

Books

See also Language

Notebooks

  • https://en.wikipedia.org/wiki/Notebook - also known as a notepad, writing pad, drawing pad, or legal pad) is a book or stack of paper pages that are often ruled and used for purposes such as note-taking, journaling or other writing, drawing, or scrapbooking.


  • https://en.wikipedia.org/wiki/Exercise_book - or composition book is a notebook that is used in schools to copy down schoolwork and notes. A student will usually have a different exercise book for each separate lesson or subject. The exercise book format is different for some subjects: for the majority of subjects, the exercise book will contain lined paper with a margin, but for other subjects such as mathematics, the exercise book will contain squared paper to aid in the drawing of graphs, tables or other diagrams. The exercise book was also called version book historically, and is called khata in India, scribbler in Canada, jotter in Scotland, and copy book in Ireland. The US equivalent is composition book, which traditionally has a distinctive cover pattern.



  • https://en.wikipedia.org/wiki/Fieldnotes - refer to qualitative notes recorded by scientists or researchers in the course of field research, during or after their observation of a specific organism or phenomenon they are studying. The notes are intended to be read as evidence that gives meaning and aids in the understanding of the phenomenon. Fieldnotes allow researchers to access the subject and record what they observe in an unobtrusive manner. One major disadvantage of taking fieldnotes is that they are recorded by an observer and are thus subject to (a) memory and (b) possibly, the conscious or unconscious bias of the observer. It is best to record fieldnotes while making observations in the field or immediately after leaving the site to avoid forgetting important details. Some suggest immediately transcribing one's notes from a smaller pocket-sized notebook to something more legible in the evening or as soon as possible. Errors that occur from transcription often outweigh the errors which stem from illegible writing in the actual "field" notebook. Fieldnotes are particularly valued in descriptive sciences such as ethnography, biology, ecology, geology, and archaeology, each of which has long traditions in this area.


  • https://en.wikipedia.org/wiki/Inventor%27s_notebook - used by inventors, scientists and engineers to record their ideas, invention process, experimental tests and results and observations. It is not a legal document but is valuable, if properly organized and maintained, since it can help establish dates of conception and reduction to practice. It may be considered as grey literature. The information can improve the outcome of a patent or a patent contestation.


  • https://en.wikipedia.org/wiki/Police_notebook - or PNB is a notebook used by police officers in the United Kingdom to officially record details and incidents while on patrol. Its use is controlled by a number of guidelines, as information entered into an officer's PNB is admissible in court, and the officer will use it to refresh their memory while giving evidence, and to support their statements.

Covers

Manuals

E-books

  • https://en.wikipedia.org/wiki/E-book - electronic book (or e-book or eBook) is a book publication made available in digital form, consisting of text, images, or both, readable on the flat-panel display of computers or other electronic devices. Although sometimes defined as "an electronic version of a printed book", some e-books exist without a printed equivalent. E-books can be read on dedicated e-reader devices, but also on any computer device that features a controllable viewing screen, including desktop computers, laptops, tablets and smartphones.


Formats

  • https://en.wikipedia.org/wiki/EPUB - an e-book file format that uses the ".epub" file extension. The term is short for electronic publication and is sometimes styled ePub. EPUB is supported by many e-readers, and compatible software is available for most smartphones, tablets, and computers. EPUB is a technical standard published by the International Digital Publishing Forum (IDPF). It became an official standard of the IDPF in September 2007, superseding the older Open eBook (OEB) standard. The Book Industry Study Group endorses EPUB 3 as the format of choice for packaging content and has stated that the global book publishing industry should rally around a single standard. The EPUB format is implemented as an archive file consisting of XHTML files carrying the content, along with images and other supporting files. EPUB is the most widely supported vendor-independent XML-based e-book format; that is, it is supported by almost all hardware readers.


Free


Search

  • https://github.com/Tmplt/bookwyrm - a TUI-based program written in C++17 which, given some input data, searches for matching ebooks and academic papers on various sources. During runtime, all found items are presented in a menu, where you can choose which items you want to download. An item can be viewed for details, which will be fetched from some database (unless the source itself holds enough data), such as the Open Library or WorldCat. A screen holding logs from worker threads is available by pressing TAB. All unread logs are printed to std{out,err} upon program termination.


Software



calibre
  • calibre - a powerful and easy to use e-book manager. Users say it’s outstanding and a must-have. It’ll allow you to do nearly everything and it takes things a step beyond normal e-book software. It’s also completely free and open source and great for both casual users and computer experts.



GnomeBooks
Bookworm
  • Bookworm - A simple ebook reader for Elementary OS. Read the books you love without having to worry about the different format complexities like epub, pdf, mobi, cbr, etc. This version supports EPUB, PDF and Comics (CBR and CBZ) formats with support for more formats to follow soon.

https://news.ycombinator.com/item?id=19196489

Gutenberg


Readarr
  • Readarr - a ebook collection manager for Usenet and BitTorrent users. It can monitor multiple RSS feeds for new books from your favorite authors and will interface with clients and indexers to grab, sort, and rename them.
Kavita
  • Kavita - Lighting fast with a slick design, Kavita is a rocket fueled self-hosted digital library which supports a vast array of file formats. Install to start reading and share your server with your friends. a fast, feature rich, cross platform reading server. Built with a focus for manga and the goal of being a full solution for all your reading needs. Setup your own server and share your reading collection.

Creating




Hardware

Open Book
  • https://github.com/joeycastillo/The-Open-Book - aims to be a simple device that anyone with a soldering iron can build for themselves. The Open Book should be comprehensible: the reader should be able to look at it and understand, at least in broad strokes, how it works. It should be extensible, so that a reader with different needs can write code and add accessories that make the book work for them. It should be global, supporting readers of books in all the languages of the world. Most of all, it should be open, so that anyone can take this design as a starting point and use it to build a better book.

News

Journal

See Learning#Academia, Organising#Journal

Journalism

  • Exposing the Invisible - Resources and tools for journalists, researchers and investigators - a collaborative, self-learning resource that makes investigative techniques and tools used by experienced investigators more accessible to people and communities who feel motivated to start their own investigations, collect and verify information, build evidence and create a better understanding of issues without losing sight of ethical or safety considerations. Explore the Kit in English, French and Spanish.

Magazine

  • https://en.wikipedia.org/wiki/Magazine - a periodical publication, generally published on a regular schedule (often weekly or monthly), containing a variety of content. They are generally financed by advertising, purchase price, prepaid subscriptions, or by a combination of the three.


  • https://en.wikipedia.org/wiki/Trade_magazine - also called a trade journal or trade paper (colloquially or disparagingly a trade rag), is a magazine or newspaper whose target audience is people who work in a particular trade or industry. The collective term for this area of publishing is the trade press.


  • https://en.wikipedia.org/wiki/Online_magazine - a magazine published on the Internet, through bulletin board systems and other forms of public computer networks. One of the first magazines to convert from a print magazine format to an online only magazine was the computer magazine Datamation. Some online magazines distributed through the World Wide Web call themselves webzines. An ezine (also spelled e-zine) is a more specialized term appropriately used for small magazines and newsletters distributed by any electronic method, for example, by email. Some social groups may use the terms cyberzine and hyperzine when referring to electronically distributed resources. Similarly, some online magazines may refer to themselves as "electronic magazines", "digital magazines", or "e-magazines" to reflect their readership demographics or to capture alternative terms and spellings in online searches.

An online magazine shares some features with a blog and also with online newspapers, but can usually be distinguished by its approach to editorial control. Magazines typically have editors or editorial boards who review submissions and perform a quality control function to ensure that all material meets the expectations of the publishers (those investing time or money in its production) and the readership. Many large print publishers now provide digital reproduction of their print magazine titles through various online services for a fee. These service providers also refer to their collections of these digital format products as online magazines, and sometimes as digital magazines. Online magazines representing matters of interest to specialists or societies for academic subjects, science, trade, or industry are typically referred to as online journals.


Zines

  • https://en.wikipedia.org/wiki/Fanzine - a non-professional and non-official publication produced by enthusiasts of a particular cultural phenomenon (such as a literary or musical genre) for the pleasure of others who share their interest. The term was coined in an October 1940 science fiction fanzine by Russ Chauvenet and first popularized within science fiction fandom, and from there the term was adopted by other communities.

Typically, publishers, editors, writers and other contributors of articles or illustrations to fanzines are not paid. Fanzines are traditionally circulated free of charge, or for a nominal cost to defray postage or production expenses. Copies are often offered in exchange for similar publications, or for contributions of art, articles, or letters of comment (LoCs), which are then published. Some fanzines are typed and photocopied by amateurs using standard home office equipment. A few fanzines have developed into professional publications (sometimes known as "prozines"), and many professional writers were first published in fanzines; some continue to contribute to them after establishing a professional reputation. The term fanzine is sometimes confused with "fan magazine", but the latter term most often refers to commercially produced publications for (rather than by) fans.




  • https://fanlore.org/wiki/Zine_Ed - an editor of a zine. It is usually used for the person who selects the content, and sometimes edits it, as well as writing introductory material such as the table of contents and editorial. The editor might be the same person as the publisher (who prints the zine, and usually distributes it), or they might be different people.






  • Edinburgh Zine Library - a volunteer-run archive and reference library of contemporary zines. We are currently looking for a new home - to understand why we moved visit here. Founded in November 2017, our collection contains over 400 zines from around the world. We have also run workshops and events, and organise the annual Edinburgh Zine Festival.



  • zinelibraries.info - the zine librarians interest group, a collective of people interested in all aspects of zine libraries. The group is very informal and most of the activity takes place on the zine librarians e-mail list. No credentials are required to be a part of the action—if you care about sharing and preserving zines, we’re glad to have you! ZineLibraries.info was created in 2007 to share resources regarding collections, programming, preservation, and the promotion of zine collections beyond the email list. We would like ZineLibraries.info to exist as a place where zine librarians of all stripes can share information, documentation, advice and news pertinent to zine libraries worldwide. We welcome zine librarians and archivists to sign up, log in, create content, post blog entries and to use this site in whatever ways best support and improve zine libraries everywhere!





Subcultures

  • https://en.wikipedia.org/wiki/Minicomic_Co-ops - entities for trading and promoting small press comics and fanzines. The term co-op has often been confused with Amateur Press Associations or APAs. The difference is that an APA is helmed by a central mailer, to whom the members send copies of their publications. The central mailer then compiles all the books into one large volume, which is then mailed out to the membership in apazines. Some APAs are still active, and some are published as virtual "e-zines," distributed on the internet. In a co-op, however, there is no central mailer; the members distribute their own works, and are linked by a group newsletter, a group symbol that appears on each member work, and a group checklist in every member zine.


  • https://en.wikipedia.org/wiki/Fantasy_Amateur_Press_Association - is science fiction fandom's longest-established amateur press association ("apa"). It was founded in 1937 by Donald A. Wollheim and John B. Michel. They were inspired to create FAPA by their memberships in some of the non-science fiction amateur press associations, which they learned about from H. P. Lovecraft. (It is also fandom's longest-running organization of any kind, preceding the founding of the runner-up, the National Fantasy Fan Federation, by nearly four years.)




  • eFanzines.com - science fiction fanzines on-line
    • https://en.wikipedia.org/wiki/EFanzines - The single largest online distribution point for science fiction fanzines, eFanzines was launched by Bill Burns on 7 December 2000 and recorded its 500,000th visit in December 2008. It was a Hugo Award finalist for "best web site" in 2005, one of only two occasions that category has appeared on the ballot. It's been a central part of opening up the science fiction fanzine world, which used to be difficult to find for those who weren't already part of it. Hundreds of British and American fanzines are now available to read or download for free, including Mike Glyer's long-running sf newsletter File 770 (six-time Hugo winner), Peter Weston's Nova-winning Prolapse (recently retitled Relapse), Bruce Gillespie's Hugo-nominated and Ditmar-winning critical journal SF Commentary and editions of the digital amateur press association e-APA.



  • https://en.wikipedia.org/wiki/Punk_zine - or punkzine) is a zine related to the punk subculture and hardcore punk music genre. Often primitively or casually produced, they feature punk literature, such as social commentary, punk poetry, news, gossip, music reviews and articles about punk rock bands or regional punk scenes.



  • QZAP - The Queer Zine Archive Project - first launched in November 2003 in an effort to preserve queer zines and make them available to other queers, researchers, historians, punks, and anyone else who has an interest DIY publishing and underground queer communities. “The mission of the Queer Zine Archive Project (QZAP) is to establish a “living history” archive of past and present queer zines and to encourage current and emerging zine publishers to continue to create. In curating such a unique aspect of culture, we value a collectivist approach that respects the diversity of experiences that fall under the heading “queer.” The primary function of QZAP is to provide a free on-line searchable database of the collection with links allowing users to download electronic copies of zines. By providing access to the historical canon of queer zines we hope to make them more accessible to diverse communities and reach wider audiences.”

Library / Archival

  • https://en.wikipedia.org/wiki/Punk_zine - or punkzine) is a zine related to the punk subculture and hardcore punk music genre. Often primitively or casually produced, they feature punk literature, such as social commentary, punk poetry, news, gossip, music reviews and articles about punk rock bands or regional punk scenes.






Metadata



Examples / Archives


  • Zine Union Catalog - a union catalog dedicated to zines! A union catalog is a resource where libraries can share cataloging and holdings information. The Zine Union Catalog (ZineCat) lets researchers discover zine holdings by searching a single catalog, and helps librarians copy catalog records to facilitate lending across libraries. ZineCat serves educators, researchers, librarians, archivists, and anyone in the general public with an interest in zines. ZineCat is a capstone project, completed in the CUNY Graduate Center's Master's in Digital Humanities program, which provided essential resources to support the project.










  • https://pagedout.institute - a free experimental (one article == one page, technical magazine about programming (especially programming tricks!), hacking, security hacking, retro computers, modern computers, electronics, demoscene, and other similar topics.
  • Memory Lab Network - Self-published booklets to Print, Fold, Staple and Give Away at Archiving Events

Guides

  • ZineWiki - an open-source encyclopedia devoted to zines and independent media. It covers the history, production, distribution and culture of the small press, cataloging the independent press, zinesters, authors, artists, and distros. ZineWiki still aspires to become the most complete online zine database, useful for zine libraries, archivists, readers, and writers looking to catalog their work. Best of all, ZineWiki is open to everyone. You can start contributing and editing ZineWiki right now!



  • Distros – STOLEN SHARPIE REVOLUTION - Since 2002, Stolen Sharpie Revolution: a DIY Resource for Zines and Zine Culture has been the go-to guide for all things zine related. This little red book is stuffed with information about zines. Things you may know, stuff you don’t know and even stuff you didn’t know you didn’t know! Stolen Sharpie Revolution contains a cornucopia of information about zines and zine culture for everyone from the zine newbie to the experienced zinester to the academic researcher.
  • Broken Pencil – The Magazine of Zine Culture and the Independent Arts

Templates




Software


  • Spectrolite - a Mac desktop app by ANEMONE to make colorful 🌈 risograph prints and zines more easily.

Comics

Software

Webcomics


Manga

  • Tachiyomi - Free and open source manga reader for Android



  • Kotatsu - Free and open source manga reader for Android platform. Supports a lot of online catalogues on different languages with filters and search, offline reading from local storage, favourites, bookmarks, new chapters notifications and more features.

Visual novel


Reading

Printing

  • https://en.wikipedia.org/wiki/Printmaking - the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine (a printer); however, there is some cross-over between traditional and digital printmaking, including risograph.




  • https://en.wikipedia.org/wiki/History_of_printing - starts as early as 3000 BC, when the proto-Elamite and Sumerian civilizations used cylinder seals to certify documents written in clay tablets. Other early forms include block seals, hammered coinage, pottery imprints, and cloth printing. Initially a method of printing patterns on cloth such as silk, woodblock printing for texts on paper originated in China by the 7th century during the Tang dynasty, leading to the spread of book production and woodblock printing in other parts of Asia such as Korea and Japan. The Chinese Buddhist Diamond Sutra, printed by woodblock on 11 May 868, is the earliest known printed book with a precise publishing date. Movable type was invented by Chinese artisan Bi Sheng in the 11th century during the Song dynasty, but it received limited use compared to woodblock printing. Nevertheless, the technology spread outside China, as the oldest printed book using metal movable type was the Jikji, printed in Korea in 1377 during the Goryeo era.

Woodblock printing was also used in Europe until the mid-15th century. Late medieval German inventor Johannes Gutenberg created the first printing press based on previously known mechanical presses and a process for mass-producing metal type. By the end of the 15th century his invention and widescale circulation of the Gutenberg Bible became responsible for a burgeoning economical book publishing industry across Renaissance Europe and eventually among the colonial publishers and printers that emerged in the British-American colonies. This industry enabled the communication of ideas and sharing of knowledge on an unprecedented scale, leading to the global spread of the printing press during the early modern period. Alongside the development of text printing, new and lower-cost methods of image reproduction were developed, including lithography, screen printing and photocopying.




  • https://en.wikipedia.org/wiki/Old_master_print - a work of art produced by a printing process within the Western tradition. The term remains current in the art trade, and there is no easy alternative in English to distinguish the works of "fine art" produced in printmaking from the vast range of decorative, utilitarian and popular prints that grew rapidly alongside the artistic print from the 15th century onwards. Fifteenth-century prints are sufficiently rare that they are classed as old master prints even if they are of crude or merely workmanlike artistic quality. A date of about 1830 is usually taken as marking the end of the period whose prints are covered by this term.


  • https://en.wikipedia.org/wiki/Popular_print - term for printed images of generally low artistic quality which were sold cheaply in Europe and later the New World from the 15th to 18th centuries, often with text as well as images. They were some of the earliest examples of mass media. After about 1800, the types and quantity of images greatly increased, but other terms are usually used to categorise them.




  • https://en.wikipedia.org/wiki/Monochrome_printmaking - a generic term for any printmaking technique that produces only shades of a single color. While the term may include ordinary printing with only two colors — "ink" and "no ink" — it usually implies the ability to produce several intermediate colors between those two extremes. In contrast with color printing, monochrome printing needs only a single ink and may require only a single pass of the paper through the printing press.
  • https://en.wikipedia.org/wiki/Color_printing - the reproduction of an image or text in color (as opposed to simpler black and white or monochrome printing). Any natural scene or color photograph can be optically and physiologically dissected into three primary colors, red, green and blue, roughly equal amounts of which give rise to the perception of white, and different proportions of which give rise to the visual sensations of all other colors. The additive combination of any two primary colors in roughly equal proportion gives rise to the perception of a secondary color. For example, red and green yields yellow, red and blue yields magenta (a purple hue), and green and blue yield cyan (a turquoise hue). Only yellow is counter-intuitive. Yellow, cyan and magenta are merely the "basic" secondary colors: unequal mixtures of the primaries give rise to perception of many other colors all of which may be considered "tertiary".


Textile

  • https://en.wikipedia.org/wiki/Textile_printing - the process of applying color to fabric in definite patterns or designs. In properly printed fabrics the colour is bonded with the fibre, so as to resist washing and friction. Textile printing is related to dyeing but in dyeing properly the whole fabric is uniformly covered with one colour, whereas in printing one or more colours are applied to it in certain parts only, and in sharply defined patterns. In printing, wooden blocks, stencils, engraved plates, rollers, or silkscreens can be used to place colours on the fabric. Colourants used in printing contain dyes thickened to prevent the colour from spreading by capillary attraction beyond the limits of a pattern or design.


  • https://en.wikipedia.org/wiki/Discharge_printing - a textile printing technique that involves the application of a discharging agent to a dyed cloth in order to produce a printed pattern, which can be either white or colored. It is a method to imprint a design onto dyed fabric. The print pattern is achieved by applying a substance capable of removing the color, such as chlorine or hydrosulfite, to eliminate a white or light pattern on a darker-hued dyed background. A dischargeable dye is employed for dischargeable printing, resulting in a design that displays light or white tones against the dyed backdrop.




  • Creating Cloth Posters | Computational Chemistry Resources - Cloth research posters are more portable, durable, and substantially cheaper than traditional paper posters. Have you ever had to bring a poster tube on a plane? It’s a nightmarish task. You can use Spoonflower to print cloth posters. The process that a few people have figured out work best for these are:

Relief

  • https://en.wikipedia.org/wiki/Line_engraving - a term for engraved images printed on paper to be used as prints or illustrations. The term is mainly used in connection with 18th- or 19th-century commercial illustrations for magazines and books or reproductions of paintings. It is not a technical term in printmaking, and can cover a variety of techniques, giving similar results.



  • https://en.wikipedia.org/wiki/Relief_printing - a family of printing methods where a printing block, plate or matrix, which has had ink applied to its non-recessed surface, is brought into contact with paper. The non-recessed surface will leave ink on the paper, whereas the recessed areas will not. A printing press may not be needed, as the back of the paper can be rubbed or pressed by hand with a simple tool such as a brayer or roller.


  • https://en.wikipedia.org/wiki/Woodcut - a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain (unlike wood engraving, where the block is cut in the end-grain). The surface is covered with ink by rolling over the surface with an ink-covered roller (brayer), leaving ink upon the flat surface but not in the non-printing areas.


  • https://en.wikipedia.org/wiki/Wood_engraving - a printmaking technique, in which an artist works an image into a block of wood. Functionally a variety of woodcut, it uses relief printing, where the artist applies ink to the face of the block and prints using relatively low pressure. By contrast, ordinary engraving, like etching, uses a metal plate for the matrix, and is printed by the intaglio method, where the ink fills the valleys, the removed areas. As a result, the blocks for wood engravings deteriorate less quickly than the copper plates of engravings, and have a distinctive white-on-black character.
  • https://en.wikipedia.org/wiki/Woodblock_printing - or block printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and later paper. Each page or image is created by carving a wooden block to leave only some areas and lines at the original level; it is these that are inked and show in the print, in a relief printing process. Carving the blocks is skilled and laborious work, but a large number of impressions can then be printed.
  • https://en.wikipedia.org/wiki/Woodblock_printing_in_Japan - mokuhanga) is a technique best known for its use in the ukiyo-e artistic genre of single sheets, but it was also used for printing books in the same period. Widely adopted in Japan during the Edo period ,1603–1868) and similar to woodcut in Western printmaking in some regards, the mokuhanga technique differs in that it uses water-based inks—as opposed to western woodcut, which typically uses oil-based inks. The Japanese water-based inks provide a wide range of vivid colors, glazes, and transparency.



  • https://en.wikipedia.org/wiki/Bagh_print - a traditional Indian handicraft originating in Bagh, Dhar district of Madhya Pradesh, India. The process is characterised by hand printed wood block relief prints with naturally sourced pigments and dyes. Bagh print motifs are typically geometric, paisley, or floral compositions design, dyed with vegetable colours of red and black over a white background, and is a popular textile printing product. Its name is derived from the village Bagh located on the banks of the Bagh River.[



  • https://en.wikipedia.org/wiki/Wood_type - is movable type made out of wood. First used in China for printing body text, wood type became popular during the nineteenth century for making large display typefaces for printing posters, because it was lighter and cheaper than large sizes of metal type.



  • https://en.wikipedia.org/wiki/Metalcut - a relief printmaking technique, belonging to the category of old master prints. It was almost entirely restricted to the period from about 1450 to 1540, and mostly to the region around the Rhine in Northern Europe, the Low Countries, Germany, France and Switzerland; the technique perhaps originated in the area around Cologne.


  • https://en.wikipedia.org/wiki/Printing_press - a mechanical device for applying pressure to an inked surface resting upon a print medium (such as paper or cloth), thereby transferring the ink. It marked a dramatic improvement on earlier printing methods in which the cloth, paper, or other medium was brushed or rubbed repeatedly to achieve the transfer of ink and accelerated the process. Typically used for texts, the invention and global spread of the printing press was one of the most influential events in the second millennium.

In Germany, around 1440, the goldsmith Johannes Gutenberg invented the movable-type printing press, which started the Printing Revolution. Modelled on the design of existing screw presses, a single Renaissance movable-type printing press could produce up to 3,600 pages per workday, compared to forty by hand-printing and a few by hand-copying. Gutenberg's newly devised hand mould made possible the precise and rapid creation of metal movable type in large quantities. His two inventions, the hand mould and the movable-type printing press, together drastically reduced the cost of printing books and other documents in Europe, particularly for shorter print runs.



  • https://en.wikipedia.org/wiki/Rotary_printing_press - a printing press in which the images to be printed are curved around a cylinder. Printing can be done on various substrates, including paper, cardboard, and plastic. Substrates can be sheet feed or unwound on a continuous roll through the press to be printed and further modified if required (e.g. die cut, overprint varnished, embossed). Printing presses that use continuous rolls are sometimes referred to as "web presses".
  • https://en.wikipedia.org/wiki/Letterpress_printing - a technique of relief printing for producing many copies by repeated direct impression of an inked, raised surface against individual sheets of paper or a continuous roll of paper. A worker composes and locks movable type into the "bed" or "chase" of a press, inks it, and presses paper against it to transfer the ink from the type, which creates an impression on the paper.


  • https://en.wikipedia.org/wiki/Monoprinting - a type of printmaking where the intent is to make unique prints, that may explore an image serially. Other methods of printmaking create editioned multiples, the monoprint is editioned as 1 of 1. There are many techniques of mono-printing, in particular the monotype. Printmaking techniques which can be used to make mono-prints include lithography, woodcut, and etching.


  • https://en.wikipedia.org/wiki/Monotyping - a type of printmaking made by drawing or painting on a smooth, non-absorbent surface. The surface, or matrix, was historically a copper etching plate, but in contemporary work it can vary from zinc or glass to acrylic glass. The image is then transferred onto a paper by pressing the two together, using a printing-press, brayer, baren or by techniques such as rubbing with the back of a wooden spoon or the fingers which allow pressure to be controlled selectively. Monotypes can also be created by inking an entire surface and then, using brushes or rags, removing ink to create a subtractive image, e.g. creating lights from a field of opaque colour. The inks used may be oil or water-based. With oil-based inks, the paper may be dry, in which case the image has more contrast, or the paper may be damp, in which case the image has a 10 percent greater range of tones.



  • https://en.wikipedia.org/wiki/Movable_type - the system and technology of printing and typography that uses movable components to reproduce the elements of a document (usually individual alphanumeric characters or punctuation marks) usually on the medium of paper.


  • https://en.wikipedia.org/wiki/Composing_stick - In letterpress printing and typesetting, a composing stick is a tray-like tool used to assemble pieces of metal type into words and lines, which are then transferred to a galley before being locked into a forme and printed. Many composing sticks have one adjustable end, allowing the length of the lines and consequent width of the page or column to be set, with spaces and quadrats of different sizes being used to make up the exact width. Early composing sticks often had a fixed measure, as did many used in setting type for newspapers, which were fixed to the width of a standard column, when newspapers were still composed by hand.


  • https://en.wikipedia.org/wiki/Hot_metal_typesetting - also called mechanical typesetting, hot lead typesetting, hot metal, and hot type) is a technology for typesetting text in letterpress printing. This method injects molten type metal into a mold that has the shape of one or more glyphs. The resulting sorts or slugs are later used to press ink onto paper. Normally the typecasting machine would be controlled by a keyboard or by a paper tape.
  • https://en.wikipedia.org/wiki/Linotype_machine - a "line casting" machine used in printing which is manufactured and sold by the former Mergenthaler Linotype Company and related companies. It was a hot metal typesetting system that cast lines of metal type for individual uses. Linotype became one of the mainstay methods to set type, especially small-size body text, for newspapers, magazines, and posters from the late 19th century to the 1970s and 1980s, when it was largely replaced by phototypesetting and digital typesetting. The name of the machine comes from the fact that it produces an entire line of metal type at once, hence a line-o'-type. It was a significant improvement over the previous industry standard of manual, letter-by-letter typesetting using a composing stick and shallow subdivided trays, called "cases".

it is divided into two machines, the Monotype keyboard and the Monotype caster, which communicate by perforated paper tape. It is not necessary to have the same number of each machine. the Monotype caster casts individual letters, which are assembled into lines in a fashion similar to classical movable type. This requires a more complex high-speed water-cooled casting mold, but only requires one matrix per possible character.


  • https://en.wikipedia.org/wiki/Type_metal - refers to the metal alloys used in traditional typefounding and hot metal typesetting. Historically, type metal was an alloy of lead, tin and antimony in different proportions depending on the application, be it individual character mechanical casting for hand setting, mechanical line casting or individual character mechanical typesetting and stereo plate casting.
  • https://en.wikipedia.org/wiki/Linotype_(alloy) - or eutectic alloy is a broad name applied to five categories of lead alloys used in manufacture of type, especially for the Linotype machine, each with three to five sub-classifications.


  • https://en.wikipedia.org/wiki/Matrix_(printing) - In the manufacture of metal type used in letterpress printing, a matrix (from the Latin meaning womb or a female breeding animal) is the mould used to cast a letter, known as a sort. Matrices for printing types were made of copper. However, in printmaking the matrix is whatever is used, with ink, to hold the image that makes up the print, whether a plate in etching and engraving or a woodblock in woodcut.



Intaglio

  • https://en.wikipedia.org/wiki/Intaglio_(printmaking) - the family of printing and printmaking techniques in which the image is incised into a surface and the incised line or sunken area holds the ink. It is the direct opposite of a relief print where the parts of the matrix that make the image stand above the main surface.


  • https://en.wikipedia.org/wiki/Engraved_gem - frequently referred to as an intaglio, is a small and usually semi-precious gemstone that has been carved, in the Western tradition normally with images or inscriptions only on one face. The engraving of gemstones was a major luxury art form in the Ancient world, and an important one in some later periods.


  • https://en.wikipedia.org/wiki/Mezzotint - a monochrome printmaking process of the intaglio family. It was the first printing process that yielded half-tones without using line- or dot-based techniques like hatching, cross-hatching or stipple. Mezzotint achieves tonality by roughening a metal plate with thousands of little dots made by a metal tool with small teeth, called a "rocker". In printing, the tiny pits in the plate retain the ink when the face of the plate is wiped clean. This technique can achieve a high level of quality and richness in the print, and produce a furniture print which is large and bold enough to be framed and hung effectively in a room.


  • https://en.wikipedia.org/wiki/Aquatint - an intaglio printmaking technique, a variant of etching that produces areas of tone rather than lines. For this reason it has mostly been used in conjunction with etching, to give both lines and shaded tone. It has also been used historically to print in colour, both by printing with multiple plates in different colours, and by making monochrome prints that were then hand-coloured with watercolour. It has been in regular use since the later 18th century, and was most widely used between about 1770 and 1830, when it was used both for artistic prints and decorative ones. After about 1830 it lost ground to lithography and other techniques. There have been periodic revivals among artists since then. An aquatint plate wears out relatively quickly, and is less easily reworked than other intaglio plates. Many of Goya's plates were reprinted too often posthumously, giving very poor impressions.[


  • https://en.wikipedia.org/wiki/Collagraphy - a printmaking process introduced in 1955 by Glen Alps in which materials are applied to a rigid substrate (such as paperboard or wood). The word is derived from the Greek word koll or kolla, meaning glue, and graph, meaning the activity of drawing. The plate can be intaglio-inked, inked with a roller or paintbrush or some combination thereof. Ink or pigment is applied to the resulting collage and the board is used to print onto paper or another material using either a printing press or various hand tools. The resulting print is termed a collagraph. Substances such as carborundum, acrylic texture mediums, sandpapers, textiles, bubble wrap, string or other fibres, cut card, leaves and grass can all be used in creating the collagraph plate. In some instances, leaves can be used as a source of pigment by rubbing them onto the surface of the plate.

Planographic

  • https://en.wikipedia.org/wiki/Planographic_printing - means printing from a flat surface, as opposed to a raised surface (as with relief printing) or incised surface (as with intaglio printing). Lithography and offset lithography are planographic processes that rely on the property that water will not mix with oil. The image is created by applying a tusche (greasy substance) to a plate or stone. The term lithography comes from litho, for stone, and -graph to draw. Certain parts of the semi-absorbent surface being printed on can be made receptive to ink while others (the blank parts) reject it.


  • https://en.wikipedia.org/wiki/Lithography - from Ancient Greek λίθος, lithos 'stone', and γράφειν, graphein 'to write') is a planographic method of printing originally based on the immiscibility of oil and water. The printing is from a stone (lithographic limestone) or a metal plate with a smooth surface. It was invented in 1796 by the German author and actor Alois Senefelder and was initially used mostly for musical scores and maps. Lithography can be used to print text or images onto paper or other suitable material. A lithograph is something printed by lithography, but this term is only used for fine art prints and some other, mostly older, types of printed matter, not for those made by modern commercial lithography.


  • https://en.wikipedia.org/wiki/Offset_printing - a common printing technique in which the inked image is transferred (or "offset") from a plate to a rubber blanket and then to the printing surface. When used in combination with the lithographic process, which is based on the repulsion of oil and water, the offset technique employs a flat (planographic) image carrier. Ink rollers transfer ink to the image areas of the image carrier, while a water roller applies a water-based film to the non-image areas.


Non-impact

  • https://en.wikipedia.org/wiki/Thermal-transfer_printing - a digital printing method in which material is applied to paper (or some other material) by melting a coating of ribbon so that it stays glued to the material on which the print is applied. It contrasts with direct thermal printing, where no ribbon is present in the process.


  • https://en.wikipedia.org/wiki/Spark_printing - an obsolete form of computer printing and before that fax and chart recorder printing which uses a special paper coated with a conductive layer over a contrasting backing, originally black carbon over white paper but later aluminium over black paper. Printing on this paper uses pulses of electric current to burn away spots of the conductive layer. Typically, one or more electrodes are swept across the page perpendicular to the direction of paper motion to form a raster of potential burnt spots.

Duplication / to sort

  • https://en.wikipedia.org/wiki/Reprography - a portmanteau of reproduction and photography, is the reproduction of graphics through mechanical or electrical means, such as photography or xerography. Reprography is commonly used in catalogs and archives, as well as in the architectural, engineering, and construction industries.


  • https://en.wikipedia.org/wiki/Xerography - a dry photocopying technique. Originally called electrophotography, it was renamed xerography—from the Greek: [n] roots ξηρός xeros, meaning "dry" and -γραφία -graphia, meaning "writing"—to emphasize that unlike reproduction techniques then in use such as cyanotype, the process of xerography used no liquid chemicals.


  • https://en.wikipedia.org/wiki/Screen_printing - a printing technique where a mesh is used to transfer ink (or dye) onto a substrate, except in areas made impermeable to the ink by a blocking stencil. A blade or squeegee is moved across the screen to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate momentarily along a line of contact. This causes the ink to wet the substrate and be pulled out of the mesh apertures as the screen springs back after the blade has passed. One colour is printed at a time, so several screens can be used to produce a multi-coloured image or design.

Traditionally, silk was used in the process. Currently, synthetic threads are commonly used in the screen printing process. The most popular mesh in general use is made of polyester. There are special-use mesh materials of nylon and stainless steel available to the screen-printer. There are also different types of mesh size which will determine the outcome and look of the finished design on the material The technique is used not only for garment printing but for printing on many other substances, including decals, clock and watch faces, balloons, and many other products. Advanced uses include laying down conductors and resistors in multi-layer circuits using thin ceramic layers as the substrate.


  • https://en.wikipedia.org/wiki/Steel_engraving - a technique for printing illustrations based on steel instead of copper. It has been rarely used in artistic printmaking, although it was much used for reproductions in the 19th century. Steel engraving was introduced in 1792 by Jacob Perkins ,1766–1849), an American inventor, for banknote printing. When Perkins moved to London in 1818, the technique was adapted in 1820 by Charles Warren and especially by Charles Heath (1785–1848) for Thomas Campbell's Pleasures of Hope, which contained the first published plates engraved on steel. The new technique only partially replaced the other commercial techniques of that time such as wood engraving, copper engraving and later lithography.


  • https://en.wikipedia.org/wiki/Carborundum_printmaking - a printmaking technique in which the image is created by adding light passages to a dark field. It is a relatively new process invented in the US during the 1930s by Hugh Mesibov, Michael J. Gallagher, and Dox Thrash, an artist working in Philadelphia with the Works Progress Administration (WPA)). "Carborundum Collagraph" collagraph is a different printmaking technique, invented in 1952 by Henri Goetz, an American abstract artist living in Paris. The carborundum mezzotint uses the grits to create pits below the surface of the metal that then hold ink, like traditional mezzotint.

Impact


  • https://en.wikipedia.org/wiki/Addressograph - an address labeler and labeling system. In 1896, the first U.S. patent for an addressing machine, the Addressograph was issued to Joseph Smith Duncan of Sioux City, Iowa. It was a development of the invention he had made in 1892. His earlier model consisted of a hexagonal wood block onto which he glued rubber type which had been torn from rubber stamps. While revolving, the block simultaneously inked the next name and address ready for the next impression


  • https://en.wikipedia.org/wiki/Viscosity_printing - a multi-color printmaking technique that incorporates principles of relief printing and intaglio printing. It was pioneered by Stanley William Hayter. The process uses the principle of viscosity to print multiple colors of ink from a single plate, rather than relying upon multiple plates for color separation. It is a fine art printmaking technique, making original prints in limited editions, as it is slow and allows too much variation between proofs to make large editions feasible. Color viscosity printing is among the latest developments in intaglio printmaking. Color viscosity printing was developed by a group working at Atelier 17 in Paris in the mid-1950s.



  • https://en.wikipedia.org/wiki/Phototypesetting - a method of setting type which uses photography to make columns of type on a scroll of photographic paper. It has been made obsolete by the popularity of the personal computer and desktop publishing (digital typesetting).


  • https://en.wikipedia.org/wiki/Duplicating_machines - were the predecessors of modern document-reproduction technology. They have now been replaced by digital duplicators, scanners, laser printers and photocopiers, but for many years they were the primary means of reproducing documents for limited-run distribution. The duplicator was pioneered by Thomas Edison and David Gestetner, with Gestetner dominating the market up until the late 1990s.


  • https://en.wikipedia.org/wiki/Spirit_duplicator - also referred to as a Rexograph or Ditto machine in North America, Banda machine in the UK, Gestetner machine or Fordigraph machine or Roneo machine in Australia) is a printing method invented in 1923 by Wilhelm Ritzerfeld that was commonly used for much of the rest of the 20th century. The term "spirit duplicator" refers to the alcohols that were a major component of the solvents used as "inks" in these machines. The device coexisted alongside the mimeograph.


  • https://en.wikipedia.org/wiki/Typewriter - a mechanical or electromechanical machine for typing characters. Typically, a typewriter has an array of keys, and each one causes a different single character to be produced on paper by striking an inked ribbon selectively against the paper with a type element. At the end of the nineteenth century, the term 'typewriter' was also applied to a person who used such a device.

Computer printing

  • https://en.wikipedia.org/wiki/Digital_printing - a method of printing from a digital-based image directly to a variety of media. It usually refers to professional printing where small-run jobs from desktop publishing and other digital sources are printed using large-format and/or high-volume laser or inkjet printers. Digital printing has a higher cost per page than more traditional offset printing methods, but this price is usually offset by avoiding the cost of all the technical steps required to make printing plates. It also allows for on-demand printing, short turnaround time, and even a modification of the image (variable data) used for each impression. The savings in labor and the ever-increasing capability of digital presses means that digital printing is reaching the point where it can match or supersede offset printing technology's ability to produce larger print runs of several thousand sheets at a low price.




  • https://en.wikipedia.org/wiki/Computer_to_film - a print workflow involving printing of a design file from a computer straight to a film through an imagesetter. Designs are typically created in Adobe Illustrator or CorelDRAW, however they can also be produced in AutoCAD, Inkscape and many other vector based CAD, design and desktop publishing software packages. An imagesetter is an ultra-high resolution large-format computer output device for CTF.



  • https://en.wikipedia.org/wiki/Printer_(computing) - a peripheral machine which makes a persistent representation of graphics or text, usually on paper. While most output is human-readable, bar code printers are an example of an expanded use for printers. Different types of printers include 3D printers, inkjet printers, laser printers, and thermal printers.


  • https://en.wikipedia.org/wiki/Page_printer - a computer printer which processes and prints a whole page at a time, as opposed to printers which print one line or character at a time such as line printers and dot-matrix printers. Page printers are often all incorrectly termed “laser printers”—although virtually all laser printers are page printers, other page printing technologies also exist



  • https://en.wikipedia.org/wiki/Inkjet_printing - a type of computer printing that recreates a digital image by propelling droplets of ink onto paper and plastic substrates. Inkjet printers were the most commonly used type of printer in 2008, and range from small inexpensive consumer models to expensive professional machines. By 2019, laser printers outsold inkjet printers by nearly a 2:1 ratio, 9.6% vs 5.1% of all computer peripherals.As of 2023, sublimation printers have outsold inkjet printers by nearly a 2:1 ratio, accounting for 9.6% of all computer peripherals, compared to 5.1% for inkjet printers.
  • https://en.wikipedia.org/wiki/Inkjet_technology - originally was invented for depositing aqueous inks on paper in 'selective' positions based on the ink properties only. Inkjet nozzles and inks were designed together and the inkjet performance was based on a design. It was used as a data recorder in the early 1950s, later in the 1950s co-solvent-based inks in the publishing industry were seen for text and images, then solvent-based inks appeared in industrial marking on specialized surfaces and in the1990's phase change or hot-melt ink has become a popular with images and digital fabrication of electronic and mechanical devices, especially jewelry. Although the terms "jetting", "inkjet technology" and "inkjet printing", are commonly used interchangeably, inkjet printing usually refers to the publishing industry, used for printing graphical content, while industrial jetting usually refers to general purpose fabrication via material particle deposition.



  • https://en.wikipedia.org/wiki/Laser_printing - an electrostatic digital printing process. It produces high-quality text and graphics (and moderate-quality photographs) by repeatedly passing a laser beam back and forth over a negatively charged cylinder called a "drum" to define a differentially charged image. The drum then selectively collects electrically charged powdered ink (toner), and transfers the image to paper, which is then heated to permanently fuse the text, imagery, or both, to the paper. As with digital photocopiers, laser printers employ a xerographic printing process. Laser printing differs from traditional xerography as implemented in analog photocopiers in that in the latter, the image is formed by reflecting light off an existing document onto the exposed drum.


  • https://en.wikipedia.org/wiki/LED_printer - a type of computer printer similar to a laser printer. Such a printer uses a light-emitting diode (LED) array as a light source in the printhead instead of the laser used in laser printers and, more generally, in the xerography process. The LED bar pulse-flashes across the entire page width and produces the image on the print drum or belt as it moves past. LEDs are more efficient and reliable than conventional laser printers, since they have fewer moving parts, allowing for less mechanical wear. Depending on design, LED printers can have faster rates of print than some laser-based designs, and are generally cheaper to manufacture. In contrast to LED printers, laser printers require combinations of rotating mirrors and lenses that must remain in alignment throughout their use. The LED print head has no moving parts, and the individual assemblies tend to be more compact.



  • https://en.wikipedia.org/wiki/Laser_engraving - the practice of using lasers to engrave an object. Laser marking, on the other hand, is a broader category of methods to leave marks on an object, which in some cases, also includes color change due to chemical/molecular alteration, charring, foaming, melting, ablation, and more. The technique does not involve the use of inks, nor does it involve tool bits which contact the engraving surface and wear out, giving it an advantage over alternative engraving or marking technologies where inks or bit heads have to be replaced regularly.



  • https://en.wikipedia.org/wiki/Thermal_printing - or direct thermal printing, is a digital printing process which produces a printed image by passing paper with a thermochromic coating, commonly known as thermal paper, over a print head consisting of tiny electrically heated elements. The coating turns black in the areas where it is heated, producing an image. Most thermal printers are monochrome (black and white) although some two-color designs exist. Thermal transfer printing is a different method, using plain paper with a heat-sensitive ribbon instead of heat-sensitive paper, but using similar print heads.

Scanning


unpaper

  • unpaper - a post-processing tool for scanned sheets of paper, especially for book pages that have been scanned from previously created photocopies. The main purpose is to make scanned book pages better readable on screen after conversion to PDF. Additionally, unpaper might be useful to enhance the quality of scanned pages before performing optical character recognition (OCR).


Paperless



Papermerge

Historical


Resources

Audiobooks



  • The Project Gutenberg Open Audiobook Collection - Project Gutenberg, Microsoft, and MIT have worked together to create thousands of free and open audiobooks using new neural text-to-speech technology and Project Gutenberg's large open-access collection of e-books. This project aims to make literature more accessible to (audio)book-lovers everywhere and democratize access to high quality audiobooks. Whether you are learning to read, looking for inclusive reading technology, or about to head out on a long drive, we hope you enjoy this audiobook collection. [9]


Audible


Booksonic

Film / slides

See also Photography


  • https://en.wikipedia.org/wiki/Photographic_film - a strip or sheet of transparent film base coated on one side with a gelatin emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast, and resolution of the film. Film is typically segmented in frames, that give rise to separate photographs.


  • https://en.wikipedia.org/wiki/Film_base - a transparent substrate which acts as a support medium for the photosensitive emulsion that lies atop it. Despite the numerous layers and coatings associated with the emulsion layer, the base generally accounts for the vast majority of the thickness of any given film stock. Since the late 19th century, there have been three major types of film base in use: nitrate (until about 1951), acetate, and polyester.


  • https://en.wikipedia.org/wiki/Negative_(photography) - an image, usually on a strip or sheet of transparent plastic film, in which the lightest areas of the photographed subject appear darkest and the darkest areas appear lightest. This reversed order occurs because the extremely light-sensitive chemicals a camera film must use to capture an image quickly enough for ordinary picture-taking are darkened, rather than bleached, by exposure to light and subsequent photographic processing. In the case of color negatives, the colors are also reversed into their respective complementary colors. Typical color negatives have an overall dull orange tint due to an automatic color-masking feature that ultimately results in improved color reproduction. Negatives are normally used to make positive prints on photographic paper by projecting the negative onto the paper with a photographic enlarger or making a contact print. The paper is also darkened in proportion to its exposure to light, so a second reversal results which restores light and dark to their normal order.


  • https://en.wikipedia.org/wiki/Reversal_film - In photography, reversal film or slide film is a type of photographic film that produces a positive image on a transparent base. Instead of negatives and prints, reversal film is processed to produce transparencies or diapositives (abbreviated as "diafilm" or "dia" in some languages like German or Hungarian). Reversal film is produced in various sizes, from 35 mm to roll film to 8×10 inch sheet film.

A slide is a specially mounted individual transparency intended for projection onto a screen using a slide projector. This allows the photograph to be viewed by a large audience at once. The most common form is the 35 mm slide, with the image framed in a 2×2 inch cardboard or plastic mount. Some specialized labs produce photographic slides from digital camera images in formats such as JPEG, from computer-generated presentation graphics, and from a wide variety of physical source material such as fingerprints, microscopic sections, paper documents, astronomical images, etc. Reversal film is sometimes used as motion picture film, mostly in the 16 mm, Super 8 and 8 mm "cine" formats, to yield a positive image on the camera original. This avoids the expense of using negative film, which requires additional film and processing to create a positive film print for projection.


  • https://en.wikipedia.org/wiki/Magic_lantern - also known by its Latin name lanterna magica, was an early type of image projector that used pictures—paintings, prints, or photographs—on transparent plates (usually made of glass), one or more lenses, and a light source. Because a single lens inverts an image projected through it (as in the phenomenon which inverts the image of a camera obscura), slides were inserted upside down in the magic lantern, rendering the projected image correctly oriented.


  • https://en.wikipedia.org/wiki/Slide_projector - an opto-mechanical device for showing photographic slides. 35 mm slide projectors, direct descendants of the larger-format magic lantern, first came into widespread use during the 1950s as a form of occasional home entertainment; family members and friends would gather to view slide shows. Reversal film was much in use, and supplied slides snapped during vacations and at family events. Slide projectors were also widely used in educational and other institutional settings.



  • https://en.wikipedia.org/wiki/Slide_viewer - also called transparency viewer, is a device for looking at film transparencies or similar photographic images. A slide viewer is usually a small handheld device with a slot in which a slide can be inserted to see a magnified illuminated view of it. A slide viewer is an instrument for individual viewing. Some models have an automatic feeder for inserting multiple slides and some have a slot for a strip of film. The slide viewer may rely upon natural light or incorporate a light source.

Moving image

See also Video


  • https://en.wikipedia.org/wiki/Film_stock - an analog medium that is used for recording motion pictures or animation. It is recorded on by a movie camera, developed, edited, and projected onto a screen using a movie projector. It is a strip or sheet of transparent plastic film base coated on one side with a gelatin emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast and resolution of the film. The emulsion will gradually darken if left exposed to light, but the process is too slow and incomplete to be of any practical use. Instead, a very short exposure to the image formed by a camera lens is used to produce only a very slight chemical change, proportional to the amount of light absorbed by each crystal. This creates an invisible latent image in the emulsion, which can be chemically developed into a visible photograph. In addition to visible light, all films are sensitive to X-rays and high-energy particles. Most are at least slightly sensitive to invisible ultraviolet (UV, light. Some special-purpose films are sensitive into the infrared (IR) region of the spectrum.


  • https://en.m.wikipedia.org/wiki/Expanded_Cinema - by Gene Youngblood (1970), the first book to consider video as an art form, was influential in establishing the field of media arts.[1] In the book he argues that a new, expanded cinema is required for a new consciousness. He describes various types of filmmaking utilizing new technology, including film special effects, computer art, video art, multi-media environments and holography.


Film

  • Wikibooks - the open-content textbooks collection that anyone can edit.
  • IMDb - the world's most popular and authoritative source for movie, TV and celebrity content.
  • 0xDB - A Movie Database


  • Vpeeker shows you newly-posted Vines in realtime, so sit back and watch the world in 6 second bites.
  • Random movie picker is selector where you can pick movie or film by random parameters like genre , year and rating.Discover random movie and have fun with random movie picker.
  • agoodmovietowatch finds great movies that you haven’t seen, decisively ending the interminable hours of “what are we gonna watch” currently plaguing our world.
  • movieo - Deciding what to watch next? Discover, organize and track over 250,000 movies. [10]
  • http://www.canistream.it/ CanIStream.It is a free service created by Urban Pixels that allows you to search across the most popular streaming, rental, and purchase services to find where a movie is available. If the movie you're looking for is not available, just sign-up, set a reminder and voila we will shoot you an email when your chosen service makes the movie available. It's simple and fast.


  • The Pixar Theory - All of the Pixar movies actually exist within the same universe!?


  • Twitch is one of the most read film websites in the entire world and has become daily reading for festival programmers, film producers, film buyers, and tens of thousands of fans every day who share Mr. Brown's belief that there's no point in talking about the same five films that every other site in the world is talking about.

Television

See TV


Teletext

  • https://en.wikipedia.org/wiki/Teletext - or broadcast teletext, is a television information retrieval service created in the United Kingdom in the early 1970s by the Philips Lead Designer for VDUs, John Adams. Teletext is a means of sending pages of text and simple geometric shapes from mosaic blocks to a VBI decoder equipped television screen by use of a number of reserved vertical blanking interval lines that together form the dark band dividing pictures horizontally on the television screen. It offers a range of text-based information, typically including news, weather and TV schedules. Paged subtitle (or closed captioning) information is also transmitted within the television signal.







Telegraphy



Telephone

See also Radio#Mobile phone, VoIP, Distros#Telecoms





Mobile

See also Android


  • https://en.wikipedia.org/wiki/Mobile_phone - a portable telephone that can make and receive calls over a radio frequency link while the user is moving within a telephone service area, as opposed to a fixed-location phone (landline phone). The radio frequency link establishes a connection to the switching systems of a mobile phone operator, which provides access to the public switched telephone network (PSTN). Modern mobile telephone services use a cellular network architecture and therefore mobile telephones are called cellphones (or "cell phones") in North America. In addition to telephony, digital mobile phones support a variety of other services, such as text messaging, multimedia messagIng, email, Internet access (via LTE, 5G NR or Wi-Fi), short-range wireless communications (infrared, Bluetooth), satellite access (navigation, messaging connectivity), business applications, video games and digital photography. Mobile phones offering only basic capabilities are known as feature phones; mobile phones which offer greatly advanced computing capabilities are referred to as smartphones.




UK

USA


Answering machine


Caller ID


to sort

Phreaking


Surveillance

  • https://en.wikipedia.org/wiki/Wiretapping - also known as wire tapping or telephone tapping, is the monitoring of telephone and Internet-based conversations by a third party, often by covert means. The wire tap received its name because, historically, the monitoring connection was an actual electrical tap on an analog telephone or telegraph line. Legal wiretapping by a government agency is also called lawful interception. Passive wiretapping monitors or records the traffic, while active wiretapping alters or otherwise affects it.


  • https://en.wikipedia.org/wiki/Fiber_tapping - a network tap method that extracts signal from an optical fiber without breaking the connection. Tapping of optical fiber allows diverting some of the signal being transmitted in the core of the fiber into another fiber or a detector. Fiber to the home (FTTH) systems use beam splitters to allow many users to share one backbone fiber connecting to a central office, cutting the cost of each connection to the home. Test equipment can simply put a bend in the fiber and extract sufficient light to identify a fiber or determine if a signal is present.



  • https://en.wikipedia.org/wiki/Fairview_(surveillance_program) - a secret program under which the National Security Agency cooperates with the American telecommunications company AT&T in order to collect phone, internet and e-mail data mainly of foreign countries' citizens at major cable landing stations and switching stations inside the United States. The FAIRVIEW program started in 1985, one year after the Bell breakup.


  • https://en.wikipedia.org/wiki/Room_641A - a telecommunication interception facility operated by AT&T for the U.S. National Security Agency, as part of its warrantless surveillance program as authorized by the Patriot Act. The facility commenced operations in 2003 and its purpose was publicly revealed in 2006.


  • https://en.wikipedia.org/wiki/IMSI-catcher - An international mobile subscriber identity-catcher is a telephone eavesdropping device used for intercepting mobile phone traffic and tracking location data of mobile phone users. Essentially a "fake" mobile tower acting between the target mobile phone and the service provider's real towers, it is considered a man-in-the-middle (MITM) attack. The 3G wireless standard offers some risk mitigation due to mutual authentication required from both the handset and the network. However, sophisticated attacks may be able to downgrade 3G and LTE to non-LTE network services which do not require mutual authentication.[
  • https://en.wikipedia.org/wiki/Stingray_phone_tracker - an IMSI-catcher, a cellular phone surveillance device, manufactured by Harris Corporation. Initially developed for the military and intelligence community, the StingRay and similar Harris devices are in widespread use by local and state law enforcement agencies across Canada, the United States, and in the United Kingdom. Stingray has also become a generic name to describe these kinds of devices.



  • https://github.com/CellularPrivacy/Android-IMSI-Catcher-Detector - an Android app to detect IMSI-Catchers. These devices are false mobile towers (base stations) acting between the target mobile phone(s) and the real towers of service providers. As such they are considered a Man-In-The-Middle (MITM) attack. This surveillance technology is also known as "StingRay", "Cellular Interception" and alike.


Pager

  • https://en.wikipedia.org/wiki/POCSAG - an asynchronous protocol used to transmit data to pagers. The name is an acronym of the Post Office Code Standardisation Advisory Group, the name of the group that developed the code under the chairmanship of the British Post Office that used to operate most telecommunications in Britain before privatization. Before the development and adoption of the POCSAG code, pagers used one of several proprietary codes such as GOLAY. In the 1990s new paging codes were developed that offered higher data transmission rates and other advanced features such as European and Network roaming.The POCSAG code is generally transmitted at one of three data rates; 512, 1200 or 2400 bits per second. With Super-POCSAG, 1200 bits per second or 2400 bits per second transmission rates are possible. Super-POCSAG has mostly displaced the POCSAG in the developed world but the transition is still in progress.

Fax

  • https://en.wikipedia.org/wiki/Fax - sometimes called telecopying or telefax (the latter short for telefacsimile), is the telephonic transmission of scanned printed material (both text and images), normally to a telephone number connected to a printer or other output device. The original document is scanned with a fax machine (or a telecopier), which processes the contents (text or images) as a single fixed graphic image, converting it into a bitmap, and then transmitting it through the telephone system in the form of audio-frequency tones. The receiving fax machine interprets the tones and reconstructs the image, printing a paper copy. Early systems used direct conversions of image darkness to audio tone in a continuous or analog manner. Since the 1980s, most machines modulate the transmitted audio frequencies using a digital representation of the page which is compressed to quickly transmit areas which are all-white or all-black.



Signage

  • https://en.wikipedia.org/wiki/Digital_signage - a segment of electronic signage. Digital displays use technologies such as LCD, LED, projection and e-paper to display digital images, video, web pages, weather data, restaurant menus, or text. They can be found in public spaces, transportation systems, museums, stadiums, retail stores, hotels, restaurants and corporate buildings etc., to provide wayfinding, exhibitions, marketing and outdoor advertising. They are used as a network of electronic displays that are centrally managed and individually addressable for the display of text, animated or video messages for advertising, information, entertainment and merchandising to targeted audiences.



  • https://github.com/yuzawa-san/googolplex-theater - Persistently maintain multiple Chromecast devices on you local network without using your browser. Ideal for digital signage applications. Originally developed to display statistics dashboards.





  • https://github.com/born2net/studio-lite - an open source, 100% FREE, Digital Signage platform that was designed with ease of use in mind. With StudioLite anyone can have a Digital Signage solution that is entirely customizable. Take the source code, modify it, brand it and build a product that's right for you and your customers.






  • Concerto - a Web-based digital signage system. Using Concerto, it’s easy to engage your community with graphical, video, and textual messages. These messages can come from moderated user submissions or automatically from sources anywhere on the Web.


  • https://github.com/MindTouch/SGMLReader - a versatile C# .NET library written by Chris Lovett for parsing HTML/SGML files using the XmlReader API. A command line utility is also provided which outputs the well formed XML result. The original community around SgmlReader was hosted by GotDotNet, but this site was phased out. An archived version of the original release is still available in the MSDN Code Gallery.

MindTouch uses the SgmlReader library extensively. Over the last few years we have made many improvements to it. In the spirit of the original author, we're providing back these changes in our GitHub SgmlReader repository.


Remote

Flashcards

Emergency

CAP

  • https://en.wikipedia.org/wiki/Common_Alerting_Protocol - CAP, an XML-based data format for exchanging public warnings and emergencies between alerting technologies. CAP allows a warning message to be consistently disseminated simultaneously over many warning systems to many applications, such as Google Public Alerts and Cell Broadcast. CAP increases warning effectiveness and simplifies the task of activating a warning for responsible officials. Standardized alerts can be received from many sources and configure their applications to process and respond to the alerts as desired. Alerts from the Department of Homeland Security, the Department of the Interior's United States Geological Survey, and the United States Department of Commerce's National Oceanic and Atmospheric Administration (NOAA), and state and local government agencies can all be received in the same format by the same application. That application can, for example, sound different alarms, based on the information received. By normalizing alert data across threats, jurisdictions, and warning systems, CAP also can be used to detect trends and patterns in warning activity, such as trends that might indicate an undetected hazard or hostile act. From a procedural perspective, CAP reinforces a research-based template for effective warning message content and structure. The CAP data structure is backward-compatible with existing alert formats including the Specific Area Message Encoding (SAME) used in NOAA Weather Radio and the broadcast Emergency Alert System as well as new technology such as the Wireless Emergency Alerts (WEA), while adding capabilities


  • Common Alerting Protocol - The Common Alerting Protocol (CAP) is a simple but general format for exchanging all-hazard emergency alerts and public warnings over all kinds of networks. CAP allows a consistent warning message to be disseminated simultaneously over many different warning systems, thus increasing warning effectiveness while simplifying the warning task. CAP also facilitates the detection of emerging patterns in local warnings of various kinds, such as might indicate an undetected hazard or hostile act. And CAP provides a template for effective warning messages based on best practices identified in academic research and real-world experience.





Good

Sci-fi

Meal-time watching

awesome;

letsplay;

tv comedy;

misc.;

To watch

  • Edge of Darkness (bob peck, zotz)
  • Vicky Cristina Barcelona (hot and a bit wet, jo)
  • It's Always Sunny in Philadelphia (comedy, james a)
  • Emmanuelle (p.a.)

todo; collate lists


Postal

See also Delivery

News

Software

FileBot

  • FileBot - FileBot is the ultimate tool for organizing and renaming your movies, tv shows or anime, and music well as downloading subtitles and artwork. It's smart and just works.

KawAnime

  • KawAnime - lets you know the latest releases according to your preferred fansubs, and lets you download them easily with just a click.

Mylar3

  • https://github.com/mylar3/mylar3 - The python3 version of the automated Comic Book (cbr/cbz) downloader program for use with NZB and torrents. Mylar allows you to create a watchlist of series that it monitors for various things (new issues, updated information, etc). It will grab, sort, and rename downloaded issues. It will also allow you to monitor weekly pull-lists for items belonging to said watchlisted series to download, as well as being able to monitor and maintain story-arcs.

Ubooquity

  • Ubooquity - a free home server for your comics and ebooks library. VersatileUbooquity supports many types of files, with a preference for ePUB, CBZ, CBR and PDF files. Metadata from library management software Calibre and ComicRack are also supported. Lightweight andm ulti-platform. Ubooquity can be installed on any OS supporting Java (Windows, Linux, Mac OS...) and on a wide range of hardware (desktop computer, server, NAS...).Secure. Ubooquity lets you create user accounts and set access rights for each shared folder.Connections can be protected (HTTPS) using your own certificate.
    • https://github.com/noinip/ubooquity - a free, lightweight and easy-to-use home server for your comics and ebooks.Use it to access your files from anywhere, with a tablet, an e-reader, a phone or a computer.

Archive




  • https://en.wikipedia.org/wiki/Encoded_Archival_Context - an XML standard for encoding information about the creators of archival materials – i.e., a corporate body, person or family -- including their relationships to (a) resources (books, collections, papers, etc.) and (b) other corporate bodies, persons and families. The goal is to provide contextual information regarding the circumstances of record creation and use. EAC-CPF can be used in conjunction with Encoded Archival Description (EAD) for enhancement of EAD's capabilities in encoding finding aids, but can also be used in conjunction with other standards or for standalone authority file encoding. EAC-CPF is defined in a document type definition as well as in an XML schema and a Relax NG schema. EAC-CPF elements reflect the International Standard Archival Authority Record standard and the General International Standard Archival Description, two standards managed by the International Council on Archives.
  • EAC-CPF Homepage – Encoded Archival Context for Corporate Bodies, Persons, and Families - In 2011 EAC-CPF became an adopted standard of the Society of American Archivists (SAA). A Technical Subcommittee (TS-EAC-CPF) was established under the SAA’s Standards Committee. In 2015 the Technical Subcommittees on EAD and EAC-CPF were merged to form the Technical Subcommittee on Encoded Archival Standards (TS-EAS), responsible for the ongoing maintenance of EAD and EAC-CPF. The first major revision of EAC-CPF started in 2017 and was approved and released in 2022 as EAC-CPF 2.0. The standard is compliant with ISAAR(CPF) and closely related to EAD3. See the section on EAC-CPF 2.0 background for more details regarding the revision process.



  • Article | Archives Without Archivists | ID: wp988k10f | Scholar@UC - "When considering the future of archives, it is essential to consider the role of archivists. Archives have suffered from a multi-decade cycle of poverty that stunts their ability to provide adequate care for records and services for users. The role of archival interventions carried out by archivists is often overlooked and invisible to users and the general public. Well-managed and useful archives require archivists to oversee their care. Archivists play a critical role in responding to concerns about digital cultural heritage loss, but their marginalization from the public sphere remains a significant challenge."


ArchivesSpace


FromThePage

Digital

See also Video, Audio, Dataflow, Net media


to sort out!

  • https://en.wikipedia.org/wiki/Interactive_media - normally refers to products and services on digital computer-based systems which respond to the user's actions by presenting content such as text, moving image, animation, video, audio, and video games.



Organisations

  • Schweizerische Gesellschaft für Mechatronische Kunst SGMK - the Swiss Mechatronic Art Society (SGMK, established in 2006) is a collective of engineers, hackers, scientists and artists that joined to collaborate and promote on creative and critical uses of technology. They develop DIY technologies and organize collaborative events, such as a yearly research-camp in the mountains and local regular workshops in electronics, robotics, physical computing, diy-biology, lofi-music etc. They run a public hacker space „MechArt Lab“ (since 2009) and organize the international diy* festival, held every year in Zürich since 2005.


  • CreativeApplications.Net - launched in October 2008 and is one of today’s most authoritative digital art blogs. The site tirelessly beat reports innovation across the field and catalogues projects, tools and platforms relevant to the intersection of art, media and technology. CAN is also known for uncovering and contextualising noteworthy work featured on the festival and gallery circuit, executed within the commercial realm or developed as academic research. Contributions from key artists and theorists such as Casey Reas, Joshua Noble, Jer Thorp, Paul Prudence, Greg J. Smith, Marius Watz, Matt Pearson as well as CAN’s numerous festival involvements and curation engagements are a testament to it’s vital role within the digital arts world today. For the last five years CAN’s central objective has been to facilitate a productive scenius that nurtures creative intersections, exchanges and networks between practitioners in art, media, design and technology. From online and offline publications to live events, CAN’s initiatives have become incubators for a multitude of computational tools, people and organisations, events and people and provided open platforms for dialogue, feedback and response in diverse media.


  • RNDR.STUDIO - designs and codes the future, by transforming data into information, information into knowledge, and knowledge into narratives. To achieve this, we develop processes, create structures, design visualisations, code programs, and create interactions. The end result can manifest itself accross different media, ranging from interactive installations, to print and everything inbetween —often real-time. We are triggered by how information and technology transforms networks, cultures, societies, relationships, behaviours, and interactions between people.


Perkeep

  • Perkeep - formerly Camlistore, a set of open source formats, protocols, and software for modeling, storing, searching, sharing and synchronizing data in the post-PC era. Data may be files or objects, tweets or 5TB videos, and you can access it via a phone, browser or FUSE filesystem. Perkeep is under active development. If you're a programmer or fairly technical, you can probably get it up and running and get some utility out of it. Many bits and pieces are actively being developed, so be prepared for bugs and unfinished features. [26] [27]

Chronicle-ETL

  • https://github.com/chronicle-app/chronicle-etl - Are you trying to archive your digital history or incorporate it into your own projects? You’ve probably discovered how frustrating it is to get machine-readable access to your own data. While building a memex, I learned first-hand what great efforts must be made before you can begin using the data in interesting ways. If you don’t want to spend all your time writing scrapers, reverse-engineering APIs, or parsing takeout data, this tool is for you! (If you do enjoy these things, please see the open issues.) chronicle-etl is a CLI tool that gives you a unified interface to your personal data. It uses the ETL pattern to extract data from a source (e.g. your local browser history, a directory of images, goodreads.com reading history), transform it (into a given schema), and load it to a destination (e.g. a CSV file, JSON, external API).

Archivematica

  • Archivematica - a web- and standards-based, open-source application which allows your institution to preserve long-term access to trustworthy, authentic and reliable digital content. Our target users are archivists, librarians, and anyone working to preserve digital objects.

Culture


  • Interference Archive - to explore the relationship between cultural production and social movements. This work manifests in an open stacks archival collection, publications, a study center, and public programs including exhibitions, workshops, talks, and screenings, all of which encourage critical and creative engagement with the rich history of social movements.



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